Arthur Hoeber

Arthur Hoeber,  The Mentor: Painters of Western Life…

“ This introduction of a cheap and effective means of coralling the animals at one fell swoop put the cowboy out of business, destroyed forever the usefulness of this race of picturesque, hard-riding, reckless youth of the plains. Mr. Cowboy rides on his raids but seldom now.
Remington knew these cowboys well. He had mingled with them, ridden after the herds, joined in their boisterous revels, and there came from his brush and pencil a picturesque lot of out-of-door characters, to the very life.
”
Source: Gutenberg

Arthur Hoeber,  The Mentor: Painters of Western Life…

“ In the art of “The Painters of Western Life,” the artist himself plays an important part. Remington, Schreyvogel, Russell, and the rest were explorers and discoverers. Someone has said that Remington was essentially a reporter, that he never became a “painter’s painter,” but that he was the people’s favorite through the subjects he chose. The phrase, “art for art’s sake,” fades into the background as these vivid pictures of life in the Great West blaze out on the canvas. ”
Source: Gutenberg

Arthur Hoeber,  The Mentor: American Mural Painters…

“ In France, particularly, great attention is given to mural work. The work of the French painter Puvis de Chavannes today is a return, to a certain extent, to the ideals and methods of expression, to the simplicity of theme and treatment of the early masters. He remains by general consent the greatest of all modern decorators, and we are fortunate in America in having admirable specimens of his work in the Boston Public Library. Our modern men, in their mural work, use as a rule oil paints mixed with wax, in order to secure a flat effect and to do away with any reflection on the surface. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature