Ernest Binfield Havell,
A Handbook of Indian Art
(1920)
“ The sculpture, like that of Sānchī, is remarkably robust, and free from the dry academic mannerisms of the Gandhara school, proving that there was an original and highly developed school of figure-sculpture in India before the Hellenistic sculptors of the Kushān court broke the tradition which made it unlawful for artists to represent the person of the Blessed One. ”
