Thomas Bewick

Definition and stakes

Portrait of Henry Austin Dobson Henry Austin Dobson,  Dictionary of National Biography… (1885)

“ BEWICK, ROBERT ELLIOT (1788–1849) , wood engraver, was the only son of Thomas Bewick [q. v.] . He was born on 26 April 1788, and was brought up to his father's business. In 1812 he became Thomas Bewick's partner. He designed with great care, and, as an engraver, was laboriously minute and accurate, but seems never to have developed the latent talent which his father believed him to possess (Memoir, p. 250) . He assisted Thomas Bewick in the 'Fables of Æsop,' 1818, and in the illustrations and vignettes for the projected 'History of British Fishes,' which occupied his latter days. ”
Source: Wikisource

Portrait of Henry Austin Dobson Henry Austin Dobson,  Dictionary of National Biography… (1885)

“ But he seems to have had one quality not possessed by Thomas Bewick, a certain gift of grace, especially in his pictures of children. Whether he caught this from the novel illustration of the period is matter for speculation; but examples of it might easily be pointed out in the 'Looking Glass,' the 'Progress of Man,' and elsewhere. As an engraver he falls far below his brother. His style is flatter, more conventional, less happy in black and white. But he improved greatly in his latest work.
Only one portrait of John Bewick is known to exist— a crayon by George Gray in the Newcastle Museum.
”
Source: Wikisource

Portrait of Austin Dobson Austin Dobson,  Eighteenth Century Vignettes

“ XVIII. BEWICK'S TAILPIECES. BETWEEN the years 1767 and 1785, travellers going southward to Newcastle along the right bank of the Tyne must frequently have encountered a springy, well-set lad walking, or oftener running, rapidly in the opposite direction. During the whole of that period, which begins with Thomas Bewick's apprenticeship and closes with the deaths of his father and mother, he never ceased to visit regularly the little farm at Cherryburn where he was born. ”
Source: Gutenberg

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