Thomas Porson

Definition and stakes

Arthur Thomas Malkin,  The Gallery of Portraits: with Memoirs…

“ As to his penmanship, it has been objected to him that he wasted many hours in an employment which would have better suited a country writing-master than a man of such talents. But it must be recollected that a reader of Greek MSS. must also be a scribe himself; and a great deal of the facility with which Porson performed his collations is to be attributed to his practice as a calligrapher. ”
Source: Gutenberg

Portrait of Leslie Stephen Leslie Stephen,  Dictionary of National Biography… (1899)

“ This edition was due to the rarity of the previous impressions, and to the gift to the university by Toup's niece and heiress of his ‘adversaria,’ containing his criticisms on Suidas. The ‘notæ breves’ (1790 edit. iv. 419–29) were by Thomas Tyrwhitt [q. v.] ; others (ib. iv. 433–506) were by Porson, and, though his name is hidden under the initials ‘A.R.P.C.S.S.T.C.S.,’ these notes first gave the world full proof of Porson's powers. The first draft of Porson's preface, expressing ‘the highest respect for Toup's abilities and learning,’ is printed in Beloe's ‘Sexagenarian’ (2nd edit.) ”
Source: Wikisource

Portrait of Leslie Stephen Leslie Stephen,  Dictionary of National Biography… (1896)

“ Crit. p. 216) . On 13 Jan. 1803 Porson presented to the Society of Antiquaries his restoration of the last twenty-six lines of the Greek inscription on the Rosetta stone, with a Latin translation. It is printed in the transactions of the society (Archæologia, vol. xvi. art. xxvii.) .
After Porson's death his literary remains were published in the following works: 1. ‘Ricardi Porsoni Adversaria,’ 1812. His notes and emendations on Athenæus and various Greek poets, edited by Monk and Blomfield. 2. His ‘Tracts and Miscellaneous Criticisms,’ 1815, collected by Thomas Kidd. 3.
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Source: Wikisource

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