Wells Cathedral

Definition and stakes

Henry James,  English Hours

“ The main beauty of Wells Cathedral, to my mind, is not its more or less visible wealth of detail, but its singularly charming tone of colour. An even, sober, mouse-like grey invests it from summit to base, deepening nowhere to the melancholy black of your truly romantic gothic, but showing as yet none of the spotty brightness of renovation. It is a wonderful fact that the great towers, from their lofty outlook, see never a factory chimney—those cloud-compelling spires which so often break the charm of the softest English horizons ”
Source: Gutenberg

Portrait of Edward A. Freeman Edward A. Freeman,  History of the Cathedral Church of Wells

“ There is no special feeling of height in Wells Cathedral—not so much, for instance, as there is in the church of Saint Mary Redcliff; but there is no such crushing feeling of lowness as there is at Lincoln. This I imagine to be mainly owing to the form of the arch chosen for the vaulting, one boldly but not acutely pointed, and to the way in which the lantern-arches fit into the vault. Contrast this with the far larger and loftier nave of York. ”
Source: Gutenberg

Portrait of Edward A. Freeman Edward A. Freeman,  History of the Cathedral Church of Wells

“ I believe there is no fear of the wanton destruction of any of the ancient work, or of any such absurdities as putting up new statues. Still it seems to me to be a strange putting of the cart before the horse to spend such a sum, or indeed to spend a single farthing, on purely ornamental work, while the arrangements of the inside are such that the church does not properly fulfil its first duty as a place of worship. When the nave of Wells Cathedral is again applied to its proper use, it will be time enough to think of canopies and carved work on the outside. ”
Source: Gutenberg

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