Drollery

Definition and stakes

Portrait of August Wilhelm von Schlegel August Wilhelm von Schlegel,  Lectures on Dramatic Art and Literature

“ Avowed rebels to love, they are both entangled in its net by a merry plot of their friends to make them believe that each is the object of the secret passion of the other. Some one or other, not over-stocked with penetration has objected to the same artifice being twice used in entrapping them; the drollery, however, lies in the very symmetry of the deception. Their friends attribute the whole effect to their own device; but the exclusive direction of their raillery against each other is in itself a proof of a growing inclination. ”
Source: Gutenberg

Choyce Drollery: Songs and Sonnets

“ We believe that the tinge of sepulchral dullness [303] in Mine Host enhances the vividness of the incidents, like the taciturnity of Don Guzman’s stony statue in Shadwell’s “Libertine.”
Thus the hundred-paged volume of Choyce Drollery, 1656,—“Delicates served up by frugall Messes, as aiming at thy satisfaction not saciety,”—comes to an end, with Beaumont and Fletcher. On them remembrance loves to rest, as the fitting representatives of that class of courtly gentlemen, poets, wits, and scholars, who were, to a great extent, even then, fading away from English society.
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Source: Gutenberg

Choyce Drollery: Songs and Sonnets

“ Thus we ourselves possess half-a-dozen editions of the Roundelay, and also of the Bullfinch, both undated eighteenth-century songsters; each copy containing a dozen or more of Songs not to be found in the others. Our Merry Drollery is a case in point. As already mentioned, there is absolutely no difference between the edition of 1670 and 1691 of Merry Drollery, Compleat, except the title-page. It was a well-understood trade stratagem, to re-issue the unsold sheets, those of 1670, with a freshly-dated title-page, as in 1691; so to catch the seekers after novelty by their most tempting lure. ”
Source: Gutenberg

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