Manager (theatre)

“ The friendship of the director, manager, and favourite members of the theatre she regarded as indispensable, whilst those frequenters of the theatre who, through their criticism or taste, influenced the public, and thus also had weight with the management, she recognised as beings upon whom the attainment of her most fervent desires depended. Never to make enemies of them appeared so natural and so necessary that, in order to maintain her popularity, she was prepared to sacrifice even her self-respect. ”

“ But I have it in my power to make it vastly more interesting than any theatre has ever been."
"You have a play?" the manager inquired; amending this, after another glance, to "You know of a play?"
"Play? No. I'm not troubling about plays," said the caller. "Plays—what are plays? No, I'm bringing you a live idea."
"But I don't wish to make any change in the style of my performances," said the manager. "If you're thinking of a new kind of entertainment for me—super-cinema, or that 'real revue' which authors are always threatening me with—I don't want it. ”

“ Manager.—Did the audience swallow it too?
Scowl.—Sir?
Manager.—I beg your pardon, sir; I believe you wish to lead the business at my theatre? [Pg 134]
Fitz-Growl.—He's the very man for it.
Manager.—What is your line, sir?
Scowl.—Why, I don't mind the heavy business; but I prefer the demons, or the singing scoundrels.
Manager.—But I don't think I shall do that sort of thing.
Scowl.—More fool you. If you want your theatre to pay, you must stick to the melodrama: the people are sure to come if you can only frighten them away. ”

“ These two instances show that the necessity of economising the attention of an audience is just as important to the stage-manager as it is to the dramatist and the actor. In the main, it may be said that any unexpected innovation, any device of stage-management that is by its nature startling, should be avoided in the crucial situations of a play. ”

“ Yes, the manager is, generally speaking, a kindly, cheery, sharp business man, and no Moloch at all.
As for the "public," no self-respecting girl need be in danger from the "public." Admiring young rakes no longer have coaches waiting round the corner, into which they thrust their favourite actress as she leaves the theatre. If a man sends an actress extravagant letters or flowers, anonymously, she can of course do nothing, but equally of course she will not wear his flowers and so encourage him boldly to step up and speak to her some day. ”

“ Professor Brander Matthews has given an interesting illustration of this principle in his essay on The Art of the Stage-Manager, which is included in his volume entitled Inquiries and Opinions. He says:
The stage-manager must ever be on his guard against the danger of sacrificing the major to the minor, and of letting some little effect of slight value in itself interfere with the true interest of the play as a whole. ”

“ As we wish our work to be full of the life of this country, our stage-manager has almost always to train our actors from the beginning, always so in the case of peasant plays, and this makes the building up of a theatre like ours the work of years. ”

“ STAGE-MANAGER. The people that I have to deal with here seem to me very much like all other people everywhere else. The proprietor and manager of the theatre is an active, enterprising, intelligent man, who knows the value of liberality, and that generosity is sometimes the most remunerative as well as amiable and popular line of action. He is a shrewd man of business, a little rough in his manner, but kindly and good-natured withal, and extremely civil and considerate to me. He is anxious that I should renew my engagement, and I shall be very willing to do so, on my return from Dublin. ”

“ To do this, he must study out all the "business" of the play in advance of the rehearsals, so he will be able to direct intelligently. When a "star" is rehearsing, he generally directs the rehearsal, thus relieving the stage manager of a great responsibility; but he must be around, and see what is required for the play in the way of scenery and properties and make out complete and detailed plots for scene-men and property-men, and in this particular case where the theatre furnished the actors with all wardrobes (except modern clothes) , the stage manager had also to make out a costume plot. ”

“ This theatre has taken the lead in getting up every thing novel, in either branch of the drama, and that in a style very much superior to any other establishment of the kind upon the continent. It must be evident that it is the wish, as it is 161 the interest of the manager, to conduct the trust committed to him upon the most liberal principles: that which pleases the public most, is most favourable to him. ”

“ A wise stage-manager, when he uses a set as magnificent, for example, as the memorable garden scene in Miss Viola Allen's production of Twelfth Night, will raise his curtain on an empty stage, to let the audience enjoy and even applaud the scenery before the actors enter. ”

“ Phil Margetts was the acknowledged premier comedian of the company. Mr. John T. Caine, too, Clawson's associate manager, and also stage manager, yielded up his line of parts to John S. Lindsay and devoted himself exclusively to the duties of stage manager, which in the old "stock" days meant far more than that office means today. "Why, in the elder day to be a 'stage manager' was greater than to be a king," in any of the plays. Briefly enumerated, his duties were: First, to read carefully and then cast all the plays. The casting of a play is a most important affair. ”

“ Manager.—Perhaps they are too large, and occupy too much space: you know the printing is very large, the type is bold, and the capitals are immense.
Bill-sticker.—That's it, sir. It's the immense capital; it's such a novelty in theatres that they're all afraid of it. Shall I pull down their bills, sir?
Manager.—Certainly not. I will never sanction those whom I employ in unworthily attempting to hurt the interests of others. My theatre is for the amusement of all, and the employment of many ”

“ Matters were in charge of the stage manager, a huge, towering creature, with a great bass voice, who was a rather remarkable actor. He had come down in the world, having begun life as a cavalry officer, and he had strange gleams of the gentleman about him, even then. He was, by the way, the one man in the profession who ever made me a questionable offer. He grew to admire me very much as time went on, and one day, after I had been there some time, he asked me to sign a further contract with the theatre.
"You'll never get anything very much better," he said, "as you are a foreigner. ”

“ You never try to sell them. You told me so yourself. You feel so superior to managers and audiences that you never offer them.”
“I know. I occasionally go to the theatre, by mistake, and I see what they want.”
“That’s no criterion. We won’t condemn even a Broadway manager until he proves himself such a dummy as not to want your plays.”
“Broadway? Think of a play of mine on Broadway! Think of the fat swine who waddle into those theatres!”
“My dear, there are men of brains writing for the theatre to-day who do not scorn those swine.”
“Men of brains? ”

“ My stage is all ready for starting; and every one, I am happy to say, seems inclined to take the box-seat. Everything now must go as smooth as a railroad. I have always heard that a manager must lead a devil of a life; but I am in hopes I shall be an exception to the rule, and that management to me will be a delightful pastime.
Fitz-Growl (without) .—But I must see him.
Manager.—Who the deuce can this be?
(Enter a Servant.)
Servant.—If you please, sir, here's a person wants to speak to you.
Manager.—I'm busy about the opening of the theatre; tell him you can't get near me. ”

“ Consequently theatre management has become a huge gamble, in which there are few prizes, and the amount of money lost annually is great. Naturally, under such circumstances the principal, almost the only, aim of the ordinary manager is to please the masses. Many concessions are made to the wishes of the crowd, and by way of excuse the phrase "the drama's laws the drama's patrons give" is quoted. ”

“ Only don't blame me if the audience loses its last train and comes back to sleep in the theatre, chat's all. [He goes off with the air of a man who is prepared for the worst] .
[During the conversation with the Stage Manager, the Manager's Wife, unobserved by her husband, steals the manuscript; replaces the last two leaves of it on the desk; puts the rest on her chair, and sits down on it.] THE MANAGER. That man is hopelessly frivolous; I really must get a more cultured staff. [ To the audience]
Ladies and gentlemen, I'm extremely sorry for these unfortunate interruptions and delays ”

“ You get used to it after you have been in the theatre for a while, and, except for leaving your watch and pocket-book at home when you have to pay a call on a manager and keeping your face to him so that he can't get away with your back collar-stud, you don't take any notice of it. It's all a game. If a manager swindles you, he wins the hole and takes the honour. ”

“ We went to the middle of the amphitheatre and he pointed out a score of girls to right and left, all of them ready to treat the first comer to supper. They are all on the free list, and the manager finds they serve his ends as respectable women will not sit in their boxes, and they draw people to the theatre. ”

“ But it would be easy to attach a college of acting to the municipal theatre, and to make the college pay its way.
Much depends on the choice of manager of the enterprise. The manager of a municipal theatre must combine with business aptitude a genuine devotion to dramatic art and dramatic literature. Without a fit manager, who can collect and control a competent company of actors, the scheme of the municipal theatre is doomed to failure. Managers of the requisite temper, knowledge, and ability are not lacking in France or Germany. ”

“ I was then placed on the witness stand, when I stated that I was the manager of the Opera Company, but not of the theatre. I had simply control of the stage, whilst the manager was responsible for the auditorium, and had provided me with the delinquent ushers. The box book-keeper was afterwards placed on the stand, who swore that I had ordered him to sell one-fifth less tickets than the manager had stated the house would hold. The defence only desired to make out the point that I was not the responsible manager. ”

“ A regular theatre was a new thing, and excited much attention. The manager was perhaps the finest specimen of self-conceit that the world ever saw.1 He was a short stumpy kind of man, with a face of most fixed character, which delineated all the passions with the self-same expression. ”

“ But his abilities as manager and as actor could not bring success to the theatre. Foreign and civil wars made the State poor; wide-spread financial troubles made the people poor; that cruelly cold winter froze out the public. "Nul animal vivant n'entra dans notre salle," are the bitterly true words, put into the mouth of the young actor-manager, by an unknown writer of a scurrilous verse.
He and the troupe were liberated from their lease within the year, and, early in 1645, they migrated over the river to the Jeu de Paume de la Croix-Noire. On either end of the long, low building at No. ”

“ He became accordingly, in 1829–30, stage manager of the theatre, the season at which, owing to the appearance of Miss Fanny Kemble, was highly remunerative. During successive ownerships by Laporte, Bunn, Macready, and Madame Vestris, he retained this post. ”

“ Managers are, with rare exceptions, an unimaginative lot. In no other way can one explain the deluge of plays patterned on the same type: for example, let a manager by hit or miss produce successfully a play built around the Far West, immediately there spring up a dozen of the ilk. Or, again, let a play of farcical construction score a hit; the public is immediately surfeited with a run of farces. So with the actor. Let him once become identified with heroes of romantic drama and the manager fears to entrust him with the dress-suit rôle, and vice versa. ”

“ If your numbers are limited, you may have to choose the one who knows most about theatricals, and he or she may have to act a leading part as well. But by rights the stage-manager ought not to act; especially as in juvenile theatricals he will probably be prompter, property-man, and scene-shifter into the bargain.
If your "company" consists of very young performers, an elder sister is probably the best stage-manager you could have. But when once your stage-manager is chosen, all the actors must make up their minds to obey him implicitly. ”

“ Nearly every successful actor and actress has a manager. Stage celebrities have not the time, let alone the experience and ability, to promote their own business interests, watch for opportunities to secure the choice engagements, and attend to the very necessary publicity and negotiations for contracts for the future. The reputable agent or artist's manager is always on the ground and in touch with the best managements and things theatrical daily. ”

“ If there has been a perfect coördination of all these elements, if there have been no jarring notes, if the spirit of the play has been brought out completely, if everything has gone right from beginning to end, if the whole performance has moved so smoothly as to seem spontaneous, the stage-manager deserves the highest praise for what he has wrought unseen. Yet his sole reward is his own consciousness of work well done, and the chance appreciation of the scanty few who may be competent to estimate the worth of his achievement. ”