Programme (theatre)

Definition and stakes

Clayton Meeker Hamilton,  The Theory of the Theatre, and Other Principles of Dramatic Criticism

“ These two instances show that the necessity of economising the attention of an audience is just as important to the stage-manager as it is to the dramatist and the actor. In the main, it may be said that any unexpected innovation, any device of stage-management that is by its nature startling, should be avoided in the crucial situations of a play. ”
Source: Gutenberg

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