Sacred music

Definition and stakes

Portrait of John Sullivan Dwight John Sullivan Dwight Aesthetic Papers (1849)

What has been called sacred music in this country has been the least sacred in every thing but the name, and the forced reverence paid it. With the superstitions of the past, the soul of nature also was suppressed; and the free spirit of music found small sphere amid our loud protestings. A joyless religion of the intellect merely, which could almost find fault with the sun's shining, closed every pore of the self-mortified and frozen soul against the subtle, insinuating warmth of this most eloquent apostle of God.
Source: Wikisource

English Critical Essays: Nineteenth Century

But before we yield to their censures we would inquire of them what style they consider, themselves, as most appropriate to similar subjects in a kindred art. If grave, simple, sustained melodies—if tones of deep but subdued emotion are what our minds naturally suggest to us upon the mention of sacred music—why should there not be something analogous, a kind of plain chant, in sacred poetry also?
Source: Gutenberg

Portrait of Elizabeth Rundle Charles Elizabeth Rundle Charles The Ravens and the Angels, with Other Stories and Parables

You are my church music,—the only church music I can ever hear. When I hear you chime the hour on Sundays and on the festivals, I feel myself among the multitude within your sacred walls; and your voice seems to bear their songs of praise to me, and I am no more alone, but one of the worshippers. But at night it is I prize you most. All through the hours of darkness, so often sleepless to me, your voice is the voice of a friend, familiar as my mother's, yet solemn as the chants of the choir.
Source: Gutenberg

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