Katharine Elizabeth Dopp

Biographical details

Portrait of Katharine Elizabeth Dopp Katharine Elizabeth Dopp The Later Cave-Men

Those that were to be the Cave-men painted their faces and carried trophies.
Fleetfoot wished that he could have a headdress and take part in the dance. He wondered how long he would have to wait before he could dance with the men. He wondered how many brave things he must do before he would rank as a man.
And when Fleetfoot saw the men standing in silence while Greybeard made offerings to the gods, he looked at the brave old man and wondered how a man could be so wise. Then he thought of Chew-chew’s stories of brave men of olden times.
Source: Gutenberg

Portrait of Katharine Elizabeth Dopp Katharine Elizabeth Dopp The Tree-Dwellers

Were it not true that so many books that are written for children have little regard for real facts, it would seem unnecessary to state that in no case has material been introduced into this book which cannot be justified by reference to a recognized authority in anthropology, paleontology, or geology. The story-form by means of which these facts are conveyed is merely a literary device for bringing home to the child the truth that has thus far been ascertained regarding the fundamental steps in the development of our industrial and social institutions.
Source: Gutenberg

Portrait of Katharine Elizabeth Dopp Katharine Elizabeth Dopp The Later Cave-Men

How the Cave-men Tested Fleetfoot and Flaker
Winters came and went, and Fleetfoot and Flaker grew to be large boys. They watched the men; they heard them talk; they learned what a Cave-man had to do.
Greybeard told them stories of brave hunters that lived long ago. He told them about the animals they must learn to hunt. The boys listened to the stories. And they thought there was no animal too fierce for them to fight. They thought there was no river too swift for them to cross. They thought there was no mountain too steep for them to climb.
Source: Gutenberg

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