Summary

A. C. McLaughlin The Cambridge History of American Literature (1917)

No man, not even Clay or Jackson or Lincoln, better typified the young, self-confident Western democracy; he represented the West of his day not only in the measures he advocated and the principles he followed, but in his very manner of speech—earnest, assured, buoyant, boastful, idealistic. If one would know America and its differences, how training and environment have affected oratory as well as views of public policy, one could get no better lesson than by comparing the full-blooded oratory of Benton with the acrid speech of Josiah Quincy or the polite eloquence of Everett.
Source: Wikisource

A. C. McLaughlin The Cambridge History of American Literature (1917)

These crowding problems full of intense human meaning; this developing democracy with all its trials, hopes, and determinations; this people, beset with slavery and boasting its freedom, bent upon the big job of taking possession of a continent and turning wilderness into farms and villages—these form the background of the oratory and the public tasks of the day. If no single piece of the very highest value in literature came out of the mêlée, we cannot wonder.
Source: Wikisource

A. C. McLaughlin The Cambridge History of American Literature (1917)

He was too intense in his devotion to what he thought right, too unbending, too severe, too outspoken, too blunt perhaps, to be a political leader or a popular idol, but that he had power is plain, for by dint of fearless speech he won the well-earned title of “old man eloquent,”—and eloquent he undoubtedly was, when he rose to his height in defence of principles he believed just and sacred. Without descending into vulgar abuse, he could indulge in scathing attack, while his wide learning and experience in public affairs gave him advantage over most of his adversaries.
Source: Wikisource

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