“ Man is still Man. The genius of Mechanism, as was once before predicted, will not always sit like a choking incubus on our soul; but at length, when by a new magic Word the old spell is broken, become our slave, and as familiar-spirit do all our bidding. "We are near awakening when we dream that we dream."He that has an eye and a heart can even now say: Why should I falter? Light has come into the world; to such as love Light, so as Light must be loved, with a boundless all-doing, all enduring love. For the rest, let that vain struggle to read the mystery of the Infinite cease to harass us. ”
Summary
A Century of English Essays, an anonymous compilation of reflective and philosophical writings, explores the human condition through themes of discourse, the cosmos, and societal dynamics. The text examines humanity’s relationship with nature, the impermanence of life, and the interaction between personal identity and communal existence.
With references to figures like Roger and Knight, and motifs of hue, vanity, and the absurd, the essays blend wit and reflection, probing the limits of comprehension and the influence of society on human purpose. The work’s fusion of contradiction and self-examination highlights its lasting contemplation on existence’s ephemeral yet deeply meaningful intricacies.
Quotes from A Century of English Essays ()
“ The incognito of an inn is one of its striking privileges—"lord of one's-self, uncumber'd with a name." Oh! it is great to shake off the trammels of the world and of public opinion—to lose our importunate, tormenting, everlasting personal identity in the elements of nature, and become the creature of the moment, clear of all ties—to hold to the universe only by a dish of sweet-breads, and to owe nothing but the score of the evening—and no longer seeking for applause and meeting with contempt, to be known by no other title than the Gentleman in the parlour! ”
“ For months together London does not see the colour of life in any mass. The human face does not give much of it, what with features, and beards, and the shadow of the top-hat and chapeau melon of man, and of the veils of woman. Besides, the colour of the face is subject to a thousand injuries and accidents. The popular face of the Londoner has soon lost its gold, its white, and the delicacy of its red and brown. We miss little beauty by the fact that it is never seen freely in great numbers out-of-doors. ”
