Summary

Alexander Black Miss America; pen and camera sketches of the American girl (1898)

All the new notes and the new titles, and the new words are but an obbligato, an ornament to the love-motive glowing like a golden strain in the majestic symphony of life—the recurring melody always new, always old; always a surprise, always as certain as spring; so conquering in its power that Miss America, with all of her self-reliance, with all of her assumed superiority to wizard wiles and incantations, falls under the spell and has no regret. She is as willing as ever she was to sit at the feet of the right man. She knows her woman’s power.
Source: Gutenberg

Alexander Black Miss America; pen and camera sketches of the American girl (1898)

And yet the Professor wears a hat. I had occasion, one day, when she had left it for a moment on a table, to study it analytically as a creation. It was a fearful and wonderful thing. No man ever can forget the moment when first, with mature deliberation, and in a consciousness of the vast significance of life, he takes up a woman’s hat, timorously, as if it were a ten-inch shell or Minerva’s helmet, and gazes into its fragile fastness. When I mentally grasped, as a man may in the absence of the wearer, the many and extraordinary elements of the Professor’s hat
Source: Gutenberg

Alexander Black Miss America; pen and camera sketches of the American girl (1898)

Are we all less poetical? Are our girls losing that sense of sentiment to which we used to look for so many of their quieter charms? Has this change anything to do with another change, surely not to be lightly accepted, which has of late years taken poetry from the top of the page, where we once thought it belonged of natural right, and placed it at the bottom? Is it finally to be crowded off the page altogether? Has the fact that women no longer consider verse an accomplishment anything to do with this subtle but revolutionary change?
Source: Gutenberg

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