Alice Meynell

Alice Meynell

Summary

Portrait of Alice Meynell Alice Meynell,  The Children

“ Harvests apart, Spring, not Autumn, should make a childhood of memories for the future. In later Autumn, life is speeding away, ebbing, taking flight, a fugitive, taking disguises, hiding in the dry seed, retreating into the dark. The daily progress of things in Spring is for children, who look close. They know the way of moss and the roots of ivy, they breathe the breath of earth immediately, direct. They have a sense of place, of persons, and of the past that may be remembered but cannot be recaptured. Adult accustomed eyes cannot see what a child’s eye sees of the personality of a person ”
Source: Gutenberg

Portrait of Alice Meynell Alice Meynell,  The Children

“ By the sight and the touch of children, we are, as it were, indulged with something finer than a fruit or a flower in untimely bloom. The childish bloom is always untimely. The fruit and flower will be common later on; the strawberries will be a matter of course anon, and the asparagus dull in its day. But a child is a perpetual primeur.
Or rather he is not in truth always untimely. Some few days in the year are his own season—unnoticed days of March or April, soft, fresh and equal, when the child sleeps and rises with the sun.
”
Source: Gutenberg

Portrait of Alice Meynell Alice Meynell,  The Children

“ Nothing, nevertheless, could be more unlike a wail than the most distinctive cry whereon the child of man catches his first breath. It is a hasty, huddled outcry, sharp and brief, rather deep than shrill in tone. With all deference to old moralities, man does not weep at beginning this world; he simply lifts up his new voice much as do the birds in the Zoological Gardens, and with much the same tone as some of the duck kind there. He does not weep for some months to come. His outcry soon becomes the human cry that is better known than loved, but tears belong to later infancy. ”
Source: Gutenberg

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