Lullaby

“ A lullaby will almost invariably soothe a restless infant, and most children old enough to distinguish and articulate groups of tones will make some attempt at singing the melodies they have often heard. ”

“ "Now the day is done,
Now the shepherd sun
Drives his white flocks from the sky;
Now the flowers rest
On their mother's breast,
Hushed by her low lullaby.
"Now the glowworms glance.
Now the fireflies dance,
Under fern-boughs green and high;
And the western breeze
To the forest trees
Chants a tuneful lullaby.
"Now 'mid shadows deep
Falls blessed sleep,
Like dew from the summer sky;
And the whole earth dreams,
In the moon's soft beams,
While night breathes a lullaby.
"Now, birdlings, rest,
In your wind-rocked nest,
Unscared by the owl's shrill cry;
For with folded wings
Little Brier swings, ”

“ Such songs always have immediate effects; the little ones stop crying and hide their faces under the arms of their mother. As these grow older and are able to understand words, the lullaby turns to be a story of devils, tigers, lions, &c. ”

“ Around that gaudy band-stand, at two-thirty on that first Sunday, sat or stood as happy a throng of old and young as any man could wish for; and Gadsby and his “gang” got hand-clasps and hand-claps, from all. A good band, you know, not only can stir and thrill you; for it can play a soft crooning lullaby, a lilting waltz or polka; or, with its wood winds, bring forth old songs of our childhood, ballads of courting days, or hymns and carols of Christmas; and can suit all sorts of folks, in all sorts of moods ”

“ Upside down.
The Ice in the Punch.
The wail of the 'cello is soft, sweet, and low;
There are strains of romance in the thrumming banjo.
The violin's note—feel it float in your ear;
And the harp makes one fancy that angels are near.
The voice of a young girl can reach to the heart;
The song of the baritone—well, it is art.
The flute and the lute in gavotte—the guitar
In soft serenade—how entrancing they are!
But to all the mad millions
Who dance at cotillons
There's naught like the clink and the clank and the crunch
Of the ice in the punch. ”

“ It sings and shouts and weeps as he wills. It is an orchestra or a flute or an Æolian harp, as the mood seizes him. The brilliancy, the incredible articulation, and the rapidity of his execution—upon one string or four strings—with all kinds of marvelous effects and whims, with the intensity and precision of his bowing, are in harmony with all the rest. They are called tricks, but they are only such tricks as the wind and clouds play; they are only such tricks as an artist of his organization, who loves the sounds and capacities of his instrument for their own sake, must necessarily display. ”

“ In the midst of the second warm and sinuous melody, we hear again the masculine voice, in less conventional accents, and the soft responses of the treble, through quite a colloquy, while the accompaniment keeps ever steadily to the undulating waltz movement, till the two voices merge gradually into the general murmur and are drowned in the flourishes of the orchestra, as our couple disappears in the whirl, with which the waltz, taking up again the first sparkling melody with accelerated pace, draws with increasing confusion to its close. ”

“ Ah! could we but see the vibrations of the atmosphere which a single musical chord produces—the rolling bass, the gliding alto, the sweeping soprano, and the soaring tenor, rolling onward in one broad channel of harmony, with its myriad tributary streams of thirds and fifths, and its curling, twinkling, shifting, blending, soaring mists of delicate-toned harmonics, how would our enjoyment of music be enhanced! ”

“ The violin in Ole Bull’s hands is a perfect orchestra, and an impetuous torrent of delightful harmonies; it seems as if the strings multiply themselves, and, obedient to the inspiration of the artist, they as well imitate the human voice as the trumpet of the warrior, the song of the maiden, or the lyre of the poet. We have heard nothing so magical, seducing, and astonishing. ”

“ As rhythm is the heart pulsation of music, [69] it naturally took hold of the first singers of in any measure formulated melody, leading to swaying of the body, clapping of the hands, stamping of the feet, and quickly suggested the employment of other resonant means for marking its progress. Our drums were at first only hollow pieces of wood, our cymbals, triangle, and gong may have had double duties,—musical and culinary,—and our harp and piano were anticipated by single strings stretched to yield a sonorous tone regardless of pitch. ”

“ Second Movement Pale violin music whiffs across the moon, A pale smoke of violin music blows over the moon, Cherry petals fall and flutter, And the white Pierrot, Wreathed in the smoke of the violins, Splashed with cherry petals falling, falling, Claws a grave for himself in the fresh earth With his finger-nails. Third Movement An organ growls in the heavy roof-groins of a church, It wheezes and coughs. ”

“ Their instruments are a big drum, hand tambours, huge cone-shaped basket rattles, a bent bamboo harp with a solitary string, and the indispensable güiro or nutmeg-grater. There is harmony in this outline of an orchestra, let him laugh who may. No actual tune is there, but you have all the lights and shadows—the skeleton, so to speak—of a tune, and if your imagination be musical, that will suffice to supply the melody. ”

“ Leaving aside the question of the geographical origin of the instrument, we may say, broadly, that wherever we find a nation with even the smallest approach to a history, there we shall find bards singing of the exploits of heroes, and always to the accompaniment of the lyre or the lute. For at last, by means of these instruments, impassioned speech was able to lift itself permanently above the level of everyday life, and its lofty song could dispense with the soft, sensuous lull of the flute. ”

“ Next we were favoured with a song in bass, accompanied with the piano—in which a male voice was so closely imitated as to defy the most acute ear to make it anything else; a male voice, however, highly refined—deeper, stronger, sweeter—than ever before fell upon our ear. The feelings of all present were delightfully stirred,—even the atmosphere in which we sat seemed trembling with emotion.
These were followed by other songs, enough to exhibit the vocal charms and operatic talent of this wonderful cantatrice, in all their strength and compass. ”

“ But in that wonderful drama, which the emancipation of the secular or popular principle in the music of the sixteenth century presents, the instrument appears as the second agent, with its greater freedom as contrasted with the human voice. Choral counterpoint penetrates into the music of the future in the two ways of the one-part song and of the instrumental polyphony, which form a quite natural whole. In proportion as vocal music became more individual and more full of soul, the absolute instrumental music gained in meaning. ”

“ Gather together in one heap of useless rubbish (for they will never more be needed) , harp, lyre, flute, flageolet, violin and guitar, piano and organ. Even that harp of three thousand strings, which the divine hand has placed in the human ear, shall not again vibrate to the delicate touch of nature’s hand. ”

“ She jumped up in a fright, for a short sharp burst from trombones, drums, trumpets, and horns, opened the overture. She had never in her life heard more music at one time, than a couple of violins and perhaps a flute. ”

“ As one who loves wind-instruments, I like to think that the flutes, oboes, and clarinets are the flowers of my vernal orchestra, decorating the great mass of stringed instruments with streaks and flames of colour.
In real music, we cannot say why certain sounds make an appropriate opening for a symphony ”

“ And so again with musical instruments, those which are loud and harsh are the most unpleasant to the ear, such as the drum and trumpet; whereas those which are not so, but are soothing, these are pleasant, as the flute and lyre and pipe. Let us then prepare our soul so as never to cry aloud, and thus shall we be enabled also to gain the mastery over our anger. ”

“ The human voice flowed on like a mighty tide, bearing along with it the tinny old piano, the shrill clarinet, the violin, scraped in old fiddler-fashion, the three-stringed guitar, the Sergeant’s triangle and the Lieutenant’s capricious nightingale. ”

“ It is the music which accelerates or moderates the movement, which heightens with [Pg 31] an accent more acute the discourse of the actor, or which, surging up behind him, brings to his ears clamor and rumor. There are guitars, bits of wood that are beaten like tympans, that are clashed like castanets; a sort of monochord violin which, like a fountain in a solitary court, by the thread of its plaintive melody, carries the development of the elegy; and finally, in the heroic movements, the trumpet. ”

“ At the close of this number begins a choral theme for trumpets, horns, and trombones, followed by [162] strings and woodwinds, and introducing a soprano recitative (“With Grace, thy Gaze, O Harmony”) descriptive of the blessing brought into the world by music, followed by a picture of the misery of the race without its consolation. At the close the brasses give out a solemn march-like theme. A short chorus (“Joy to us! Again descending, thou Heavenly One”) describes the might of song. ”

“ A popular audience is delighted with the "Cats' Serenade," executed on the violins with overwhelming likeness to the reality, or with, the "Day in the Country," in which the sun rises in the high notes, cocks crow, horses rattle down the road, merrymakers frolic on the green, clouds come up in the horns, lightning plays in the violins, thunder crashes in the drums and cymbals, the merrymakers scatter in the whole orchestra, the storm passes diminuendo, and in the muted violins the full moon rises serenely into a twilight sky. ”

“ Music and movement.
Handel's frogs.
How near a large number of suggestions, which are based wholly upon experience or association of ideas, lie to the popular fancy, might be illustrated by scores of examples. Thoughts of religious functions arise in us the moment we hear the trombones intone a solemn phrase in full harmony; an oboe melody in sixth-eighth time over a drone bass brings up a pastoral picture of a shepherd playing upon his pipe; trumpets and drums suggest war, and so on. The [Pg 58] delineation of movement is easier to the musician than it is to the poet. ”

“ I tuned my violin and struck up a lively air; while some joined in a nimble reel, others patted and sang their simple but melodious songs, filling the great room with music mingled with the sound of human voices and the clatter of many feet. ”

“ In any case, to listen to the distant strains of a brass-band is a different experience from that enjoyed in a chamber recital by your own violin-player, one who can draw from his instrument by sympathetic skill melodious chords, sounds soft and weird, grave and gay, strident or tremulous, harmonious or suddenly discordant, eye watching eye, and quick to change or repeat a note as he marks the varying expression of emotion roused by sound on animal faces, sometimes strangely expressive, or on others in which for minutes the eye alone gives token even of life. ”

“ As in an orchestra, amid the swell of many instruments, where deep-toned thunders mingle with sounds of softer influence, some one strain will rise, from time to time, suggestive of feelings apart from the rest, with higher and nobler sympathies around it, so did her voice, heard among the others, sound thus sweetly. ”

“ Deep and shrill, rough and smooth, bland, hoarse, broken, threatening, from a myriad of throats the challenge swelled, with the quiver of a violin, the pure note of a flute, the thrill of pipes and boom of beaten drums. ”

“ The clarinet screeches, wails, moans and whistles. The clarinet flings an obbligato high over the heads of the dancers on the cabaret floor. It makes shrill sounds. It raves like a fireless Ophelia. It plays the clown, the tragedian, the acrobat.
A whimsical insanity lurks in the music of the clarinet. It stutters ecstasies. ”

“ The effect of those tremendous trumpet calls from the four corners of the orchestra is an overwhelming one, of crushing power and majesty, much of which is due to the rhythm.
To sum up. We may regard rhythm as the intellectual side of music, melody as its sensuous side. The pipe is the one instrument that seems to affect animals—hooded cobras, lizards, fish, etc. ”

“ When I play good pieces so people cry hearing my accordion music, then I put my fingers over and feel of the rabbit’s diamond chin on his diamond toenails, ‘Attaboy, li’l bunny, attaboy, li’l bunny.’”
“Yes I hear you talking but it is like dream talking. I wonder why your accordion looks like somebody stole it and took it to a pawnshop and took it out and somebody stole it again and took it to a pawnshop and took it out and somebody stole it again. ”

“ A flute sends forth the tones of a flute, not those of a bassoon or a trumpet. If thou hearest the tones of a bassoon, but hast never before seen or heard any wind-instrument but the flute, it will certainly be inconceivable to thee how such tones can come out of a flute. ”