Andrew Lang

Andrew Lang

Summary

Portrait of Andrew Lang Andrew Lang The Clyde Mystery

Stated without this elegant irony, my opinion is that the parallelism of the figurines and grotesque stone faces of Villa d’Aguiar and of Clyde rather tends to suggest the genuineness of both sets of objects. But this opinion, like my opinion about the Australian and other parallelisms, is no argument against Dr. Munro, for he acknowledges none of these parallelisms. That point,—a crucial point,—are the various sets of things analogous in character or not? must be decided for each reader by himself, according to his knowledge, taste, fancy, and bias.
Source: Gutenberg

Portrait of Andrew Lang Andrew Lang The Clyde Mystery

What man of artistic skill, no conscience, and a knowledge of archaic patterns is associated with the Clyde?
The “faker” is not the mere mischievous wag of the farm-house or the country shop. It is possible that a few “interpolations” of false objects have been made by another and less expert hand, but the weight of the problem rests on these alternatives,—the disputed relics which were found are mainly genuine, though unfamiliar; or a forger not destitute of skill and knowledge has invented and executed them—or—there is some other explanation.
Source: Gutenberg

Portrait of Andrew Lang Andrew Lang The Clyde Mystery

It was rather easier to interpolate Blue Point oyster shells at Dunbuie. On the other hand, two splinters of stone, inserted into a bone and a tyne of deer’s horn, figured by Dr. Munro among Dumbuck and Dunbuie finds, seem to me rather too stupid fakes for the regular forger, and a trifle too clever for the Sunday holiday-maker. These two things I do not apologise for, or defend; my knowledge of primitive implements is that of a literary man, but for what it is worth, it does not incline me to regard these things as primitive implements.
Source: Gutenberg

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