“ But, when we think of the sport of book-hunting, it is to sales in auction-rooms that the mind naturally turns. Here the rival buyers feel the passion of emulation, and it was in an auction-room that Guibert de Pixérécourt, being outbid, said, in tones of mortal hatred, “I will have the book when your collection is sold after your death.” And he kept his word. The fever of gambling is not absent from the auction-room, and people “bid jealous” as they sometimes “ride jealous” in the hunting-field. Yet, the neophyte, if he strolls by chance into a sale-room, will be surprised at the spectacle. ”
Andrew Lang
Summary
Andrew Lang’s The Library (1887) enters the world of bibliophiles, examining the fervor for gathering rare books, bindings, and artistic editions. Through vivid stories and historical allusions—such as the rivalry between Guibert de Pixérécourt and the Duke of Roxburghe—Lang investigates the meeting point of art, fixation, and conservation.
Themes involving amateur collectors, the visual appeal of bindings, and the cultural importance of bibliographic artifacts are interwoven, highlighting the emotional and creative aspects of book-hunting. The work emphasizes how a library, when carefully assembled, transforms into a sanctuary of human creativity and heritage.
Quotes from The Library (Andrew Lang)
Andrew Lang,
The Library
(1892 (second edition))
“ Here I always feel like Brassicanus in the king of Hungary's collection, "non in Bibliotheca, sed in gremio Jovis;" "not in a library, but in paradise." It is not given to every one to cast angle in these preserves. They are kept for dukes and millionaires. Surely the old Duke of Roxburghe was the happiest of mortals, for to him both the chief bookshops and auction rooms, and the famous salmon streams of Floors, were equally open, and he revelled in the prime of book-collecting and of angling. ”
“ There are relics of the age before circulating libraries, there are fragments of the lettered store of some scholarly great-grandfather, and these, with a few odd numbers of magazines, a few primers and manuals, some sermons and novels, make up the ordinary library of an English household. But the amateur, whom we have in our thoughts, can never be satisfied with these commonplace supplies. He has a taste for books more or less rare, and for books neatly bound; in short, for books, in the fabrication of which art has not been absent. ”
