Angelo De Gubernatis

“ In their nocturnal journey the moon plays the part now of the good old man, or the good fairy; now of the good cow, or the bull; now of the grey horse, the steed of night, who, in three stations, bears them to their goal; now of the bird who, nourished upon their flesh, carries them to their destination; and now we have, on the contrary, the monster itself, or the step-mother who threatens, tortures, and persecutes them. ”

“ The sky, grey in autumn, snowy in winter, and golden in spring, corresponds to the grey sky of evening, the silver one of night, and the golden one of morning. Spring is the dawn of the year; the primitive myth is but amplified; the last hour of the day awakens the aurora; the last month of the solar year awakens the spring. The application of the myth of the day to the year is one of the greatest simplicity. ”

“ India has now a divine nature, and now a human. The gandharvas is the guardian of riches and waters: inasmuch as he defends them from the demoniacal robbers, preserves them from mortals, and distributes them among the pious, he appears under a beneficent and divine aspect; inasmuch, on the other hand, as he carries them off and keeps them shut up like a miser, he resembles the monster that is fabled to guard fountains and treasures, the demon who keeps the waters shut up, the thieves who gather treasures together, and the devil, the master of all riches. ”

“ But battles are not always going on in the heavens; even the wild animals of the gloomy forest become tame and rest themselves; music fills the soul with calm sentiments. Therefore even the warrior Gandharvâs of the Hindoo Olympus are transformed into expert musicians, who entrance the very gods with wonder. The song of the Sirens attracts and seduces the traveller; the lyre of Orpheus draws after it mountains, trees, and animals; the harp of Väinämöinen, in the Kalevala, makes the wolf forget his ferocity, the bear his wildness, the fish his coldness. ”

“ That which makes the princess of the Russian tale laugh, is seeing the courtesy which the animals, like men, show to the man taken out of the mud; that which makes the man who understands the language of animals laugh, is seeing them speak and act to each other exactly as men do in similar private relations. To betray this mystery is to wish for one's death. No one must know what the bull said in secret to the cow, the sun to his mistress, what the king said in the queen's ear. ”

“ He throws the body of Sefid into the mountain cavern, whilst his blood saturates the earth, and gives back to the prince Kawus his eyesight and his splendour. The myth is a beautiful and an expressive one. As from the black venomous serpent comes white healthy milk, so from the black monster, at his death, comes blood, which gives back his eyesight to the blinded prince; the red aurora is here represented as the blood of the nocturnal monster, discomfited by the solar hero. ”

“ In the same way as the mythical horse has, from evening to morning, three conspicuous moments of action—black, grey, and white or red—and as the mythical ass throws gold from behind and has golden ears, so the mythical goat and sheep, which are dark-coloured in the night or in the cloud, throw gold from behind and have golden horns which pour out ambrosia, or else have even the cornucopia itself. ”

“ To the baptism of the girl there comes as godmother, in a splendid chariot drawn by six horses, a young woman dressed in rose-coloured and golden robes, who shines like the sun, and who, as she lets her veil drop, like the beautiful Argive Helen, fills the bystanders with admiration. ”

“ It is the one that knows everything; and in Piedmont, when the mothers wish to make their children believe that they are in communication with a mysterious spy, who sees everything that they do, they are accustomed to awe them by the words, "My little finger tells me everything."—At last the two young people resolve to flee. Before starting, the prince splits open the forehead of the white-headed calf; from its skull comes forth an enchanted little red ball, which shines like a small sun. ”

“ The dying sun of evening, the old lion, is killed in the evening by the ass of night; in the morning, on the contrary, the ass of night announces his fortune to the solar hero, who again becomes luminous and wise. The ass can predict all things, because it knows all things; it knows everything, because it hears everything, and it hears everything by means of its exceedingly long ears ”

“ The prince frees the maiden from the waters; the sun delivers the aurora from the gloomy ocean of night, and robes her in his splendour, causing the witch of night to be burned in the flames of the aurora, and taking from the witch's abode the spun gold or golden fleece. ”

“ The celestial bull comes out of the night or the nocturnal stables either, as we have seen, to help the hero, to be sacrificed, to flee from persecution, or because he has been stolen by a skilful thief.
In one of Kriloff's fables, God sends a terrible plague among the animals, of which they perish in great numbers. They are so terrified by it that they forsake their habits, and begin to wander aimlessly hither and thither. The wolf no longer eats the sheep; the fox leaves the hens unmolested; the turtle-doves no longer make love to each other. ”

“ I only point out, as I proceed, interpretations which I think come near the truth; but the objects embodied in mythology are so mobile and multiform, that, if grasped too tightly, they easily evaporate and disappear. Their richness consists in their very mobility and uncertainty. If the sun and moon were always seen in the same place, there would be no myths. The myths which originated the greatest number of legends are those which are founded upon the most fleeting phenomena of the sky. ”

“ The solar ray which shortens itself, the shadow which advances, are images of the ensnarer of heroes; whereas the solar ray which lengthens itself, the thunderbolt which traverses all the heavens, surrounded by clouds and darkness, represents the hero who grasps around, presses tightly, and strangles the monster.
The bow of Mithra is formed of a thousand bows, prepared from the tough hide of a cow; these bows, in the Avesta, also hurl a thousand darts, which fly with winged vultures' feathers. [298] This carries us back again to the Vedic myth of the birds which come out of the cow. ”

“ The German proverb, "As a blind cow finds a pea," is now used to indicate an impossibility; and yet in the myth the blind cow (or the night) really finds the pea, kidney-bean, or bean (the moon) , which are the same thing to all intents and purposes. The night is sacred to the dead; for the dead are as eaten vegetables—kidney-beans, vetches, peas, and cabbages—lunar symbols of resurrection and abundance. ”

“ Next comes the legend of the wife who, taking her husband by the feet, makes him fall into a fountain, because she hears a melodious voice, perhaps an echo of her own, which charms her; she sees a monster instead, and bewails her lost husband. ”

“ We can understand, for instance, how the aurora, or daughter of the sun, should be conceived of as, in a moment of feminine weakness, falling in love with the moon, which she sees on the other side of the heavens, and desirous of being conducted to him as his bride. We can understand how Lunus, reciprocating the love-glance of the aurora at the other extremity of the sky, should appear to be drawing her to himself, and wishing to seduce her. ”

“ When the heavenly goat dissolves in rain or in dew, when moisture comes from the goat-cloud, the mountain-cloud, or the stone-cloud, these humours are salutary. When St James, who is joined with the goat and the rain, pours out his bottle, as the Piedmontese people say, the vapour which falls from the sky on these days is considered by the peasants, as in fact it is for the country, and especially for the vines, a real blessing. ”

“ He is conducted by a strange and wild subterranean passage, where silence as of the tomb reigns—it is, in fact, the kingdom of the dead—where birds have the appearance of wishing to sing, dogs to bark, and oxen to low, but cannot, and where the water flows without a murmur. The young prince feels in his heart a kind of anguish; the universal stillness in the midst of animated beings oppresses him. ”

“ Piedmont the belief is also widely diffused that the red of evening signifies blood, and that this bloody redness signifies war. It certainly does mean war, but a mythical war—the war in which the hero, fighting against the monster, succumbs and sheds blood. ”

“ The giant himself, like an enormous mountain assaulting the earth, hurls a rock like a millstone at Rustem; Rustem strikes the monster on the feet, and lops away one of them; the lame giant continuing the fight, Rustem at last wrestles with him, lifts him into the air, then beats him several times furiously against the ground, and so takes his life. ”

“ Here we have the all-radiant sun shut up in the cloud, he being the yellow eye, the burning mouth, of Kabandhas, and, in union with the cloud, forming a hideous monster; the hero comes to destroy his monstrous form, and the monster thanks him, for thus he becomes the glorious god, the splendid being, the handsome prince he was before. Râmas who delivers Kabandhas from his monstrous form by cutting off his two arms, is the sun Râmas coming forth from the gloomy forest, and uncovering the sky in the east and in the west. ”

“ The last Esthonian story tells of the extraordinary births, in the same day, of a handsome prince and a beautiful princess. The princess is born in a bird's egg, laid like a pearl in the bosom of the queen; she has at first the form of a living puppet, and afterwards, when warmed in wool, she becomes a real girl. Whilst she undergoes this transformation, the queen also gives birth to a beautiful boy. ”

“ Besides the name of Indras, this exceedingly powerful horned bull, who sharpens his horns to plunge them into the monster, assumes also, as the fire which sends forth lightning, as that which sends forth rays of light from the clouds and the darkness, the name of Agnis; and, as such, has two heads, four horns, three feet, seven hands, teeth of fire, and wings; he is borne on the wind, and blows. ”

“ As the aurora is represented in the Vedic hymns by a maiden who does not laugh, and smiles only when she sees her husband, [462] so the lightning that tears the cloud and comes before the thunder is compared to the laughing of an ox or a cow, or else of the man who has seen their loves. As long as the sky only lightens, or merely smiles, [463] there is little harm done. No one can know as yet why the ox or the cow, the hero or heroine, or the third person who is looking on, smiles before the spectator ”

“ To the luminous day succeeds the gloomy night, and then again to the dark night the luminous day; to summer succeeds winter, and to winter summer; to white black, and to black white; to heat cold, and to cold heat. ”

“ The braying of the ass, the thunder of the cloud, is an oracle; the ass that brays is a judge and a prophet. In hell everything is known; the devil knows every art, every species of malice, every secret; the ass in hell participates in this knowledge. The ass Nicon, in Plutarch, in the Life of Antony, predicts to Augustus his victory at the battle of Actium; on the contrary, in the Life of Alexander, by the same author, an ass who kills with a kick a great lion belonging to the Macedonian, appears to the great conqueror in the light of an evil omen. ”

“ The nose is the most prominent part of the face, the most conspicuous and splendid part; it is the gem of the sun-prince. The sun falls at night upon the mountain; the gem falls to the ground; the prince's nose bleeds; he has struck his nose against the ground, and it bleeds. The sun-prince dies, and the evening sky is tinged red, blood-colour; the sun, who loses his blood in the evening, dies.
The thirteen Calmuc stories are followed by ten Mongol tales ”

“ The first night, at twelve o'clock, the dead man lifts up one arm; she runs to him and lifts the other; he tries to raise himself; she helps him to get out of bed. At one o'clock he returns covered with blood, and the girl asks him who has reduced him to this condition, but he answers nothing, and throws himself on the bed as if a corpse. The second night she follows him, and sees him enter a subterranean cavern; he comes to the foot of a flight of stairs, puts down his mantle and remains as naked as when he was born, a handsome youth of eighteen years of age. ”

“ This is the good fairy, or good old man, who shows the way to the heroes in popular tales; it is the cow which succours the maiden persecuted by her step-mother, the puppet which spins, sews, and weaves for the maiden aurora. ”

“ And such mythical battles must have seemed so much the more natural in the age in which the greater number of the myths were conceived and produced, as we know it to have been the age which archæologists call the age of stone. The sun, as a dwarf, destroys the vast cloud, the vast darkness, viewed as a giant. ”

“ Mary warns the cow; and the cow recommends her to eat none of her flesh, to keep the bones, sow them in the garden, and water them. The maiden does so; every day, however hungry she may be, she eats none of the meat, only collects the bones together. From the bones sown in the garden arises a marvellous apple-tree, with leaves of gold, and branches of silver, which prick and wound the three daughters of the stepmother, whilst, on the other hand, they offer apples to the beautiful maiden, in order that she may present one to the young and rich lord who is to make her his wife. ”