Summary

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Stark Munro Letters — MERTON ON The MOORS, 5th March… (1895)

Nature meant him to be a healer; for he brightens up a sick room as he did the Merton station when first I set eyes upon him. Don't imagine from my description that he is in any way soft, however. There is no one on whom one could be less likely to impose. He has a temper which is easily aflame and as easily appeased. A mistake in the dispensing may wake it up and then he bursts into the surgery like a whiff of cast wind, his checks red, his whiskers bristling, and his eyes malignant.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Stark Munro Letters — MERTON ON The MOORS, 5th March… (1895)

That sounds a little foggy; but I will make my meaning more clear when I say that I think right and wrong are both tools which are being wielded by those great hands which are shaping the destinies of the universe, that both are making for improvement; but that the action of the one is immediate, and that of the other more slow, but none the less certain. Our own distinction of right and wrong is founded too much upon the immediate convenience of the community, and does not inquire sufficiently deeply into the ultimate effect.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Stark Munro Letters — MERTON ON The MOORS, 5th March… (1895)

I wasn't in the best of spirits when I started, Bertie, but they went down and down as I neared my destination. How people can dwell in such places passes my comprehension. What can life offer them to make up for these mutilations of the face of Nature? No woods, little grass, spouting chimneys, slate-coloured streams, sloping mounds of coke and slag, topped by the great wheels and pumps of the mines. Cinder-strewn paths, black as though stained by the weary miners who toil along them, lead through the tarnished fields to the rows of smoke-stained cottages.
Source: Wikisource

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