Baron Alfred Tennyson Tennyson

“ At its end, her Paris comes back to her. Deprived of Helen, a broken and baffled man, he returns from the ruins of his native Troy, and entreats Oenone to heal him of a wound, which, unless she lends her aid, must be mortal. Oenone gnashes her teeth at him, refuses him the remedy, and lets him die. In the end, no doubt, she falls into remorse, and kills herself—this is quite in the spirit of classic legend; implacable vengeance, soul-sickened with its own victory, dies in despair. ”

“ No allegory, no ethics, no rational soul, no preaching symbolism, enter here, to dim, confuse, or spoil the story. Nothing is added which does not justly exalt the tale, and what is added is chiefly a greater fulness and breadth of humanity, a more lovely and supreme Nature, arranged at every point to enhance into keener life the human feelings of Arthur and his knight, to lift the ultimate hour of sorrow and of death into nobility. ”

“ Here is the absolute sway of metre, compelling every rhyme and measure needful to the thought; here are sinuous alliterations, unique and varying breaks and pauses, winged flights and falls, the glory of sound and color everywhere present, or, if missing, absent of the poet's free will. The fullness of his art evades the charm of spontaneity. His original and fastidious art is of itself a theme for an essay. The poet who studies it may well despair, he can never excel it; its strength is that of perfection ”

“ The cuckoo is the bird we associate with the name of the vale of sunshine and of flowers, and yet its wandering voice brings back to him the thought of his vanished childhood. We have already noticed the almost sacred value which Wordsworth attaches to the impressions of his youth, and even to the memory of these impressions which remains with him to console his maturer life. ”

“ All the landscape—than which nothing better has been invented by any English poet—lives from point to point as if Nature herself had created it; but even more alive than the landscape are the two human figures in it—Sir Bedivere standing by the great water, and Arthur lying wounded near the chapel, waiting for his knight. ”

“ But knowledge has an ardent impetuosity, which in its present immature condition may be fraught with many perils. Knowledge by itself, so far from being of necessity heavenly, may even become devilish in its selfish violence. Everything depends upon its being held in due subordination to those higher elements in our nature which go to make wisdom. Would that the ideal aim of our education were to produce such as he was, in whom every increase in intellectual ability was accompanied by the growth of some finer grace of the spirit."—Arthur W. Robinson. ”

“ No reader of Tennyson can miss the note of patriotism which he perpetually sounds. He has a deep and genuine love of country, a pride in the achievements of the past, a confidence in the greatness of the future. And this sense of patriotism almost reaches insularity of view. He looks out upon the larger world with a gentle commiseration, and surveys its un-English habits and constitution with sympathetic contempt. ”

“ For, just so much as our attention is drawn from what a poet says to the medium, the language in which he says it, so much is its clearness injured. Vividly to see pictures in our imagination or to be affected by our emotions, we must not, as we read, experience any jar. In Tennyson we never have to think of his expressions—except to admire their simple beauty. Simplicity and beauty, then, are two noticeable qualities of his poetry."—Charles Read Nutter. ”

“ Yet the life in nature is capable of multiplying itself infinitely, and each of her manifold divisions possesses a distinctive mood; one might almost say a separate life of its own. It is, in his ability to capture the true emotional mood which clings to some beautiful object or scene in nature, and which that object or scene may truly be said to inspire, that Wordsworth's power lies. ”

“ The range of poetry is indeed inexhaustible, and even the greatest poets must suffer some subtraction from universal pre-eminence. Therefore we may frankly admit the deficiencies of Wordsworth,—that he was lacking in dramatic force and in the power of characterization; that he was singularly deficient in humor, and therefore in the saving grace of self-criticism in the capacity to see himself occasionally in a ridiculous light; that he has little of the romantic glamor and none of the narrative energy of Scott; that Shelley's lyrical flights leave him plodding along the dusty highway ”

“ Tennyson is the poet of faith; faith as distinguished from cold dogmatism and the acceptance of traditional creeds; faith which does not ignore doubt and mystery, but triumphs over them and faces the unknown with fearless heart. The effect of Christianity upon the poetry of Tennyson may be felt in its general moral quality. By this it is not meant that he is always preaching. But at the same time the poet can hardly help revealing, more by tone and accent than by definite words, his moral sympathies. He is essentially and characteristically a poet with a message. ”

“ With all good things and war shall be no more.
"The old tale, thus modernised in an epilogue, does not lose its dignity, for now the recoming of Arthur is the recoming of Christ in a wider and fairer Christianity. We feel here how the new movement of religion and theology had sent its full and exciting wave into Tennyson. Arthur's death in the battle and the mist is the death of a form of Christianity which, exhausted, died in doubt and darkness. His advent as a modern gentleman is the coming of a brighter and more loving Christ into the hearts of men. ”

“ Alfred was the fourth child, his brothers Frederick and Charles being older than he. The home life was a very happy one. The boys and girls were all fond of books, and their games partook of the nature of the books they had been reading. They were given to writing, and in this they were encouraged by their father, who proved himself a wise and discriminating critic. Alfred early showed signs of his poetic bent; at the age of twelve he had written an epic of four thousand lines, and even before this a tragedy and innumerable poems in blank verse. ”

“ FROM BELT, ETC. Tennyson explains: "The west wind rolling to the Eastern seas till it meets the evening star."
16. WHISPER "PEACE." Stopford Brooke says of this poem: "Each verse is linked like bell to bell in a chime to the verse before it, swelling as they go from thought to thought, and finally rising from the landscape of earth to the landscape of infinite space. Can anything be more impassioned and yet more solemn? It has the swiftness of youth and the nobleness of manhood's sacred joy." ”

“ TOUCH,—FOR THERE IS A SPIRIT IN THE WOODS. Many lines might be quoted from Wordsworth to illustrate his theory of the personal attributes of nature. In some of his more elevated passages nature in all her processes is regarded as the intimate revelation of the Godhead, the radiant garment in which the Deity clothes Himself that our senses may apprehend Him. Thus, when we touch a tree or a flower we may be said to touch God himself. ”

“ Indeed the truth must be strongly borne in upon even the warmest admirers of Tennyson that his recluse manner of life closed to him many avenues of communication with the men and women of his day, and that, whether as a result or cause of his exclusiveness, he had but little of that restless, intellectual curiosity which constantly whets itself upon new experiences, finds significance where others see confusion, and beneath the apparently commonplace in human character reaches some harmonizing truth. ”

“ The gods, unwilling to become arbiters in an affair of so tender and delicate a nature, appointed Paris to adjudge the prize of beauty to the fairest of the goddesses, and indeed the shepherd seemed properly qualified to decide so great a contest, as his wisdom was so well established, and his prudence and sagacity so well known. ”

“ Like a green field reflected in a calm and perfectly transparent lake, the image is distinguished from the reality only by its greater softness and lustre. Like the moisture or the polish on a pebble, genius neither distorts nor false-colors its objects ”

“ It is something more than the sound of one who has a lovely voice and can play skilfully upon an instrument. It is a poetry with a meaning and a purpose. It is a voice that has something to say to us about life. ”

“ It is a wonderful thing to have so wide a tenderness, and only a great poet can possess it and use it well."—Stopford A. Brooke.
"Tennyson is a great master of pathos; knows the very tones that go to the heart; can arrest every one of these looks of upbraiding or appeal by which human woe brings the tear into the human eye. The pathos is deep ”

“ CXVIII "Do not believe that man's soul is like mere matter, or has been produced, like lower forms in the earlier ages of the earth, only to perish. Believe that he is destined both to advance to something higher on the earth, and also to develop in some higher place elsewhere, if he repeats the process of evolution by subduing the lower within him to the uses of the higher, whether in peaceful growth or through painful struggle."—A. C. Bradley. ”

“ The love of Michael for Luke is inwrought with his love for his home and for the land which surrounds it. These he desires at his death to hand down unencumbered to his son. "I have attempted," Wordsworth wrote to Poole, "to give a picture of a man of strong mind and lively sensibility, agitated by two of the most powerful affections of the human heart—the parental affection and the love of property, landed property, including the feelings of inheritance, home and personal and family independence." ”

“ While Scott, by allying romance with reality, saved romantic fiction from the extravagances and follies into which it had fallen, Wordsworth's special work was to open a higher way for naturalism in art by its union with ideal truth. ”

“ Tennyson is a grand specimen of a man, with a magnificent head set on his shoulders like the capital of a mighty pillar. His hair is long and wavy and covers a massive head. He wears a beard and mustache, which one begrudges as hiding so much of that firm, powerful, but finely-chiselled mouth. ”

“ The opening verses of this poem are still another instance of the identification of God with nature. As Mr. Stopford Brooke writes, "we are here in contact with a Person, not with a thought. But who is this person? Is she only the creation of imagination, having no substantive reality beyond the mind of Wordsworth? No, she is the poetic impersonation of an actual Being, the form which the poet gives to the living Spirit of God in the outward world, in order that he may possess a metaphysical thought as a subject for his work as an artist." ”