Charles Godfrey Leland

Charles Godfrey Leland

Summary

Portrait of Charles Godfrey Leland Charles Godfrey Leland,  Gypsy Sorcery and Fortune Telling… (1891)

“ Faust has now filled to the brim the measure of his iniquity. The devil appears, proves to him that it is time to depart; it strikes twelve; the smoke of a fizzling squib and several diabolical fire-crackers fills the air, and Faust is carried away, while the small servant, as satanical and self-possessed as ever, makes his jokes on the folly of Faust--and the curtain falls."
This is the true Faust drama of the Middle Ages, with the ante-Shakespearian blending of tragedy and ribald fun.
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Source: Wikisource

Portrait of Charles Godfrey Leland Charles Godfrey Leland,  Gypsy Sorcery and Fortune Telling… (1891)

“ But such touches of common humanity are rare indeed in it. I do not exaggerate in the least when I say that the whole spirit of this work--which faithfully reflects the whole spirit of the "justice" of the Middle Ages--inclines in a ferocious, wolfish manner to extend and multiply punishment of the most horrible kinds to every small offence against the Church--to manufacture and increase crime as if it were capital for business, and enlarge the sphere of torture so as to create power and awe. ”
Source: Wikisource

Portrait of Charles Godfrey Leland Charles Godfrey Leland,  Gypsy Sorcery and Fortune Telling… (1891)

“ CHAPTER XV GYPSY AMULETS "Knew many an amulet and charm Which would do neither good nor harm, In Rosicrucian lore as learned As he that veré adeptus earned."--HUDIBRAS.
WITH pleasant plausibility HEINE has traced the origin of one kind of fairy-lore to the associations and feelings which we form for familiar objects. A coin, a penknife, a pebble, which has long been carried in the pocket or worn by any one, seems to become imbued with his or her personality.
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Source: Wikisource

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