Charles Godfrey Leland

Charles Godfrey Leland

Summary

Portrait of Charles Godfrey Leland Charles Godfrey Leland Gypsy Sorcery and Fortune Telling… (1891)

Faust has now filled to the brim the measure of his iniquity. The devil appears, proves to him that it is time to depart; it strikes twelve; the smoke of a fizzling squib and several diabolical fire-crackers fills the air, and Faust is carried away, while the small servant, as satanical and self-possessed as ever, makes his jokes on the folly of Faust--and the curtain falls."
This is the true Faust drama of the Middle Ages, with the ante-Shakespearian blending of tragedy and ribald fun.
Source: Wikisource

Portrait of Charles Godfrey Leland Charles Godfrey Leland Gypsy Sorcery and Fortune Telling… (1891)

But such touches of common humanity are rare indeed in it. I do not exaggerate in the least when I say that the whole spirit of this work--which faithfully reflects the whole spirit of the "justice" of the Middle Ages--inclines in a ferocious, wolfish manner to extend and multiply punishment of the most horrible kinds to every small offence against the Church--to manufacture and increase crime as if it were capital for business, and enlarge the sphere of torture so as to create power and awe.
Source: Wikisource

Portrait of Charles Godfrey Leland Charles Godfrey Leland Gypsy Sorcery and Fortune Telling… (1891)

CHAPTER XV GYPSY AMULETS "Knew many an amulet and charm Which would do neither good nor harm, In Rosicrucian lore as learned As he that veré adeptus earned."--HUDIBRAS.
WITH pleasant plausibility HEINE has traced the origin of one kind of fairy-lore to the associations and feelings which we form for familiar objects. A coin, a penknife, a pebble, which has long been carried in the pocket or worn by any one, seems to become imbued with his or her personality.
Source: Wikisource

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