Summary

Portrait of Edward Clodd Edward Clodd The Story of the Alphabet

Then began for Greece "the long dark ages, the mediæval epoch, out of which she emerges only in the Homeric Renaissance." The flower of the survivors of that dread time sought a new home east of the Ægean on the isles and shores of Ionia. There these exiles from Argolis laid the foundation of a culture whose influence will abide while the world stands, because Ionia remains the fatherland of all who hold dear what man has reached in art and literature, in science and philosophy.
Source: Gutenberg

Portrait of Edward Clodd Edward Clodd The Story of the Alphabet

PREFACE If this little book does not supply a want, it fills, however imperfectly, a gap; for the only work in the English language on the subject—Canon Isaac Taylor's "History of the Alphabet"—is necessarily charged with a mass of technical detail which is stiff reading even for the student of graphiology. Moreover, invaluable and indispensable as is that work, it furnishes only a meagre account of those primitive stages of the art of writing, knowledge of which is essential for tracing the development of that art, so that its place in the general evolution of human inventions is made clear.
Source: Gutenberg

Portrait of Edward Clodd Edward Clodd The Story of the Alphabet

Chinese tradition ascribes the invention of writing to the dragon-faced, four-eyed sage Ts'ang Chien, who saw in the stars of heaven, the footprints of birds, and the marks on the back of the tortoise, the models on which he formed the written characters. At this invention "heaven caused showers of grain to descend from on high; the disembodied spirits wept in the darkness, and the dragons withdrew themselves from sight." On the altars raised to Ts'ang Chien throughout the Celestial Land, every scrap of fugitive paper which has writing on it is burned in his honour.
Source: Gutenberg

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