Edward S. Van Zile

Edward S. Van Zile

Summary

Portrait of Edward S. Van Zile Edward S. Van Zile That Marvel—The Movie

Here may you visualize the epic tale of Man’s rise from protoplasm to power, from an amœba to ruler of the earth. Here may a Chinaman study the past of his people through forty centuries of weal and woe; the modern Greek glory in the splendors of ancient Athens or appraise his compatriots’ achievements of yesterday; the Norseman, the Slav, the Teuton, the Celt, the Anglo-Saxon, the Latin, the Jap, the Arab, the East Indian learn from the screen what his race, or nation, or tribe has done for or against—and they have all done both—the cause of advancing civilization.
Source: Gutenberg

Portrait of Edward S. Van Zile Edward S. Van Zile That Marvel—The Movie

Belatedly, but with thrilling efficiency, the camera is giving to us and to our descendants pictures of savage and half-savage life against which the irresistible power of the regnant races of the earth has issued a decree of annihilation. The polar seas, the islands of the Pacific, the deserts, mountain-tops, jungles, are shown to us on the screen as they are to-day, as if this generation were frantically endeavoring to assure itself that this romantic planet of ours is not really doomed to become eventually as prosaic and uninteresting as Main Street.
Source: Gutenberg

Portrait of Edward S. Van Zile Edward S. Van Zile That Marvel—The Movie

Is it not possible that when the errors, the tragedies, the cumulative horrors of the past are revealed to them, when the majority of men and women turn to the evidence of their senses rather than to gossip, rumor and hearsay for historical enlightenment, Mankind, horrified at his scowling face and bloody hands, as he sees them for the first time in a mirror, will take an oath to remove the brand of Cain from his brow, the blush from his cheeks as the screen shows him what man’s inhumanity to man really means?
Source: Gutenberg

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