Summary

Portrait of Fritz Leiber Fritz Leiber The Night of the Long Knives

Behind me, the sound of a struggle. Alice snarling and Pop giving a grunt.
Then all at once a scream from Alice, a big whoosh of wind, a flash way ahead (where I'd aimed) , a spatter of hot metal inside the cabin, a blinding spot in the middle of the World Screen, a searing beam inches from my neck, an electric shock that lifted me from my seat and ripped at my consciousness!
When I came to (if I really ever was out—seconds later, at most) there were no more pink lines. The haze was just its disgustingly tawny evening self with black spots that were only after-images.
Source: Gutenberg

Portrait of Fritz Leiber Fritz Leiber The Night of the Long Knives

I didn't join in this chit-chat because the green dots and Alice's first remark had reminded me of a lot deeper reason for my jangled nerves than Pop's cheerfulness. Night was gone, with its shielding cloak and its feeling of being able to talk forever, and the naked day was here, with its demands for action. It is not so difficult to change your whole view of life when you are flying, or even bumping along above the ground with friends who understand, but soon, I knew, I'd be down in the dust with something I never wanted to see again.
Source: Gutenberg

Portrait of Fritz Leiber Fritz Leiber The Night of the Long Knives

I don't know how else than by an area of solid, absolutely unrelieved black you'd represent the Deathlands with its multicolored radioactive dusts and its skimpy freightage of lonely Deathlanders, each bound on his murderous, utterly pointless, but utterly absorbing business—an area where names like Nowhere, It, Anywhere, and the Place are the most natural thing in the world when a few of us decide to try to pad down together for a few nervous months or weeks.
Source: Gutenberg

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