Pop

“ The poppies they hang from her head to her feet, And each hath a dream that is tiny and fleet— She bringeth her poppies to you, my sweet, When she findeth you sleeping! There is one little dream of a beautiful drum— "Rub-a-dub!" ”

“ There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few. In speaking of song-writing, I mean, of course, the composition of brief poems with an eye to their adaptation for music in the vulgar sense. In this ultimate destination of the song proper, lies its essence—its genius. ”

“ We have never been called upon to record a more brilliant and instantaneous success than has thus far attended this talented young aspirant to musical honors. From obscurity she has risen to popularity. She has not been through the regular routine of advancement; but, as it were in a moment, endowed by nature with the wonderful power of song, she delighted the circle in which she moved, and is now enchanting the public. ”

“ It is not long ago that songs without the slightest pretence to any musical value attained to immense popularity, and when a scream at the end of one of them, on a note known as high F, would draw volumes of applause on the panting and highly gratified singer. ”

“ Earlier that same evening we spent a gloom-laden quarter of an hour in another cafe—one which owes its fame and most of its American customs to the happy circumstance that in a certain famous comic opera produced a few years ago a certain popular leading man sang a song extolling its fascinations. The man who wrote the song must have had a full-flowered and glamorous imagination, for he could see beauty where beauty was not. ”

“ Begging the question, that poetry can be produced by such a body, this poetry is naturally of a concrete and narrative character, and is previous to the poetry of art. ‘Therefore,’ says Professor Child, ‘while each ballad will be idiosyncratic, it will not be an expression of the personality of individuals, but of a collective sympathy; and the fundamental characteristic of popular ballads is therefore the absence of subjectivity and self-consciousness. ”

“ It is through the choral refrains, in fact, that the student of lyric poetry is chiefly fascinated as he reads the ballads. Students of epic and drama find them peculiarly suggestive in their handling of narrative and dramatic material, while to students of folklore and of primitive society they are inexhaustible treasures. The mingling of dance-motives and song-motives with the pure story-element may long remain obscure, but the popular ballad reinforces, perhaps more persuasively than any type of poetry, the conviction that the lyrical impulse is universal and inevitable. ”

“ He was himself often compelled to sacrifice his finer instincts to the popular demand for mere vocal display. A race of singers, who were virtuosi rather than artists, dominated the taste of the public, and forced composers to furnish opportunities in each rôle for a full display of their powers. ”

“ Books printed in the black letter are sought for with the same avidity with which the English antiquary peruses a monumental inscription, or treasures up a Saxon piece of money. The popular ballad, composed by some illiterate minstrel, and which has been handed down by tradition for several centuries, is rescued from the hands of the vulgar, to obtain a place in the collection of the man of taste. ”

“ Nor is it necessary that the modern ballad-maker should take pains to eliminate his own personality from his work, the modern tendency seems to be toward subjectivity in poetry and the verse-maker who seeks popular approval will be guided by popular tastes. ”

“ Stripped of its music, a popular song-lyric is often about as attractive as an ancient actress after she has taken off all the make-up that in the setting of the stage made her look like a girl. Words with music become magically one, the moving expression of the emotion of their day. ”

“ "It's the latest popular song," declared the phonograph, speaking in a sulky tone of voice.
"A popular song?"
"Yes. One that the feeble-minded can remember the words of and those ignorant of music can whistle or sing. That makes a popular song popular, and the time is coming when it will take the place of all other songs." ”

“ Lastly, popular ballads deal with vague characters, acting and living in vague places; while the characters of an epic are heroes of definite station, whose descendants are still in the land, whose home is a recognisable place, Ithaca, or Argos. ”

“ Music-books were published for the dulcimer, and it retained some popularity in country villages until ousted by the melodeon.
Illustration 299 shows a set of musical glasses called a harmonica. The fine ladies in “The Vicar of Wakefield” would talk of nothing but “pictures, taste, Shakespeare, and the musical glasses.” ”

“ We must, therefore, by art, reconcile the strength of the line with the music of the verse; and thus divide and accent it in delivery.
On the bareˊ | earthˊ | exposedˊ | he liesˊ.
“Sometimes the poet himself will, purposely, break the regularity of his rhythm for expression and effect; the Elocutionist, in such cases, must aid that effect by marking and timing the pulsation of sound accordingly. As in the following lines from Pope:
1. ”

“ Moreover, through the dancing poppies stole
A breeze, most softly lulling to my soul; ”

“ For two hours my companion, who was a musical fanatico, gave his undivided attention to the stage; and, in the meantime, I amused myself by observing the audience, which consisted, in chief part, of the very elite of the city. Having satisfied myself upon this point, I was about turning my eyes to the prima donna, when they were arrested and riveted by a figure in one of the private boxes which had escaped my observation.
If I live a thousand years, I can never forget the intense emotion with which I regarded this figure. It was that of a female, the most exquisite I had ever beheld. ”

“ If your delineation be authentically musical, musical, not in word only, but in heart and substance, in all the thoughts and utterances of it, in the whole conception of it, then it will be poetical; if not, not.—Musical: how much lies in that! A musical thought is one spoken by a mind that has penetrated into the inmost heart of the thing; detected the inmost mystery of it, namely the melody that lies hidden in it; the inward harmony of coherence which is its soul, whereby it exists, and has a right to be, here in this world. All inmost things, we may say, are melodious ”

“ What man of taste but must laugh at the interminable drums, trumpets, blunderbusses, and thunder? "Vocal music," says L'Abbate Gravina, who would have said the same thing of instrumental, "ought to imitate the natural language of the human feelings and passions, rather than the warblings of canary birds, which our singers, now-a-days, affect so vastly to mimic with their quaverings and boasted cadences." ”

“ I make my pieces difficult whenever I please, according to my disposition and that of my audience.' Yet in nothing was he so superior to himself', and to other musicians, as in writing and playing adagios, in which the most pleasing, yet learned modulation, the richest harmony, and the most elegant and polished melody, were all expressed with such feeling, taste, and science, that no musical production or performance with which I was then acquainted seemed to approach nearer perfection. ”

“ Forbes was sure that most of these sad-eyed aristocrats, so lavish in their praise of the singers and the music and the conductor, had come with a musical purpose, and he wondered if some few, at least, of those in the gallery might not have climbed thither less for art's sake than to see in the flesh those people of whose goings and comings and dressings, weddings and partings, they read so greedily in the newspapers. ”

“ Opera is the glorification of the voice and the deification 267 of the singer.—Do we not call the prima donna a diva? Music-drama, on the other hand, is the glorification of music in its broadest sense, instrumental and vocal combined, and the deification of dramatic truth on the musical stage. Opera, as handled by the Italian and the French, undoubtedly is a very attractive art-form, but music-drama is a higher art-form, because more serious and more searching and more elevated in its expression of emotion. ”

“ My mind goes a few years into the future. I attend a concert given by students or by graduates of Fisk University; I listen to music of the most classical order rendered in a manner that would satisfy the most exacting critic of the art; and at the same time I am pleasantly reminded of the famous "Jubilee Singers" of days in the past by the peculiarly thrilling sweetness of voice, and the charming simplicity and soulfulness of manner, that distinguish and add to the beauty of the rendering. ”

“ We would, moreover, be spared the absurdity of watching singers with beautiful voices make themselves ridiculous by clumsy actions. As to comic opera—the music's appeal would suffer no tarnish from the merely physical fascination of the star or the chorus ... I know the thought is radical; it seems impossible to imagine a piano recital without long hair, electric fingers, or visible melancholia; opera with only the box-holders as appeals to the eye seems too good to be true; but—I assure you it would emancipate music from all that now makes it the most vicious of the arts. ”

“ No actor is on the stage, no word is uttered, but the sharp rap sounds with the thimbled finger as on a box and the stumpy little thud of the bare hands follows, or coincides, from the second drum and both players give a crooning whoop. In some way, which I can’t catch, that rhythm surely plays into the measure of the recitation when it comes and into the movements of the actors when they come. You know how people everywhere will persist in justifying the admirable in an art on the ground of the beautiful ideas it presents. ”

“ Thus music passed beyond the stage of working for itself as a development of musical forms or science of construction, and became more and more, in opera, the expression of individualities and moods. At the same time that this tendency was working for making the music more expressive, the necessity of pleasing the public tended also in the opposite direction of pleasing the hearer by means of agreeable combinations of tone-colors, delightful symmetries of tone-forms, and the like. ”

“ Oh, ’tis sure edifying to find Dr. Johnson the patron of music,” said the lady with double-edged sweetness.
“Madam, let me tell you that one cannot rightly be said to be a patron of music,” said Dr. Johnson. “Music is an abstraction. One may be a patron of a musician or a painter—nay, I have even heard of a poet having a patron, [Pg 29] and dying of him too, because, like a gangrene that proves fatal, he was not cut away in time.”
“And just now you are the patron of the musicians, sir?” ”

“ Pepper, and the rest—be symbols,—featureless but dignified, symbols of age, of youth, of motherhood, of learning, and beautiful often as people upon the stage are beautiful. It appeared that nobody ever said a thing they meant, or ever talked of a feeling they felt, but that was what music was for. Reality dwelling in what one saw and felt, but did not talk about, one could accept a system in which things went round and round quite satisfactorily to other people, without often troubling to think about it, except as something superficially strange. ”

“ Are you not ashamed to tell me that in that art you do but utter the thoughts of others? You utter them in music; through the music you not only give to the thoughts a new character, but you make them reproductive of fresh thoughts in your audience. ”

“ With other singers the critical spirit of the audience is apt to awake and spoil everything. Music must be perfect, to be perfectly enjoyed. And how often do we find perfection in the concert-room? On human and other songsters.With how many singers can we let ourselves float far from reality into the region of the ideal, secure from jar of false note, or twisted phrase to suit the singer? ”

“ Painters do not expect us to watch them painting, nor does the average breed of authors—I except the Manx—like to be seen writing. Yet the musician—take away the visible part of his art, and he is shorn of his self-esteem. I assure you I admire actors much more than musicians; actors are frankly exponents of nothing that requires genius, while musicians pretend to have an art that is over and above the art of the composer.... Music—"
"Do you realize," interrupted the girl, with a laugh that was melody itself, "that you are feasting me upon dinner-music without dinner. ”

“ As we appreciate it to-day, music lends itself readily to our definition of art. It is a personal expression—who, when listening to music which he enjoys, does not feel himself poured forth in the tones? It is social and public—what brings us together under the sway of a common emotion more effectively than concert or opera? ”

“ It is quite a common thing to be thus annoyed with the ringing in our ears, or rather in our memories, of the burthen of some ordinary song, or some unimpressive snatches from an opera. Nor will we be the less tormented if the song in itself be good, or the opera air meritorious. ”

“ How the instrument lives and answers to his every touch, sending forth in turn utterances tender, sad, wild, and joyous! The audience once more hold their breath to catch the dying tones, as the melody, so rich, so beautiful, so full of pathos, is drawing to a close. ”

“ Give to music any undue decision—imbue it with any very determinate tone—and you deprive it, at once, of its ethereal, its ideal, and, I sincerely believe, of its intrinsic and essential character. You dispel its dream-like luxury:—you dissolve the atmosphere of the mystic in which its whole nature is bound up:—you exhaust it of its breath of faery. It then becomes a tangible and easily appreciable thing—a conception of the earth, earthy. ”