Fyodor Mikhailovich Dostoevsky

Fyodor Mikhailovich Dostoevsky

Summary

Portrait of Fyodor Mikhailovich Dostoevsky Fyodor Mikhailovich Dostoevsky The House of the Dead (1915)

Fetters are hard to bear at this season! I am not poetizing and am convinced of the truth of what I say. Apart from the fact that in the warmth, in the brilliant sunshine, when, in all your soul, in all your being, you feel nature with infinite force springing into life again around you, prison doors, guards and bondage are harder to bear than ever: apart from that, with the coming of spring and the return of the lark, tramping begins all over Siberia and Russia; God’s people escape from prison and take refuge in the forests.
Source: Wikisource

Portrait of Fyodor Mikhailovich Dostoevsky Fyodor Mikhailovich Dostoevsky The House of the Dead (1915)

One looks at him for an hour to pass the time and wonders what he is thinking about, or one begins to dream and think of the past, while fancy draws pictures in vivid colours with wide horizons. One recalls details which one would not remember at another time, and which one would not feel as one does then. And one speculates on the future, how one will get out of prison. Where will one go? When will that be? Whether one will return to one’s native place? One muses and muses, and hope begins to stir in one’s heart.
Source: Wikisource

Portrait of Fyodor Mikhailovich Dostoevsky Fyodor Mikhailovich Dostoevsky The House of the Dead (1915)

From the very first day of my life in prison, I began to dream of freedom. To calculate in a thousand different ways when my days in prison would be over became my favourite occupation. It was always in my mind, and I am sure that it is the same with every one who is deprived of freedom for a fixed period. I don’t know whether the other convicts thought and calculated as I did, but the amazing audacity of their hopes impressed me from the beginning. The hopes of a prisoner deprived of freedom are utterly different from those of a man living a natural life.
Source: Wikisource

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