G. K. Chesterton

G. K. Chesterton

Summary

Portrait of G. K. Chesterton G. K. Chesterton Leo Tolstoy

It is Tolstoy’s distinction to have combined in his life-work more than any other great artist two main conflicting points of view. He has fused by his art the science that defines the way Humanity is forced forward blindly and irresponsibly from century to century by the mere pressure of events, he has fused with this science of our modern world the soul’s protest against the earthly fate of man which leads the generations into taking the ceaseless roads of evil which every age unwinds.
Source: Gutenberg

Portrait of G. K. Chesterton G. K. Chesterton Leo Tolstoy

A century of emancipation, of Science, of unbelief, of incessant shock, change, and Progress all over the face of Europe, and even as Goethe a hundred years ago typified the triumph of the new intelligence of Europe over the shackles of its old institutions, routine, and dogma (as Matthew Arnold affirms) , so Tolstoy to-day stands for the triumph of the European soul against civilisation’s routine and dogma.
Source: Gutenberg

Portrait of G. K. Chesterton G. K. Chesterton Leo Tolstoy

The realism of the great Russian’s novels is, therefore, more in line with the modern tendency and outlook than is the general tendency of other schools of Continental literature. And Tolstoy must be finally looked on, not merely as the conscience of the Russian world revolting against the too heavy burden which the Russian people have now to bear in Holy Russia’s onward march towards the building-up of her great Asiatic Empire, but also as the soul of the modern world seeking to replace in its love of humanity the life of those old religions which science is destroying day by day.
Source: Gutenberg

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