Summary

George Catlin Adventures of the Ojibbeway and Ioway Indians in England…

No artist in this country possesses a readier or more graphic pencil; perhaps no one, since Hogarth, has had in so high a degree the faculty of seizing at a moment the true impression of a scene before his eyes, and transferring it to the canvas. And as a refined and finished portrait-painter, his large picture of Osceola alone sets him on a level with the most accomplished professors in any part of the States, and shows what eminence and what emolument might have been achieved by him had he devoted himself to that narrower branch of his art.
Source: Gutenberg

George Catlin Adventures of the Ojibbeway and Ioway Indians in England…

We feel the freedom and enthusiasm which mark the life of the hunter and the warrior of the west, fascinating above all the attractions of civilized being. We are pleased, astonished, charmed by the variety and strangeness of the spectacles brought before us.
No parent should suffer himself to feel that he has done justice to his children until he has taken them to view this gallery, which will never again be open to their inspection. No citizen should suffer it to leave the country until he has fully possessed himself of all that it reveals respecting the aborigines of his country.
Source: Gutenberg

George Catlin Adventures of the Ojibbeway and Ioway Indians in England…

We painted our faces and hands of a copper colour, in close imitation of the colour of the Indian, and over and across that, to make the illusion more complete, gave occasional bold daubs of vermilion and green or black paint, so that, with our heavy and richly garnished robes of the buffalo, thrown over our shoulders and trailing on the floor as we walked, with tomahawks and scalping knives in our belts, our shields of buffalo hides on our arms, with our quivers slung and our bows and arrows clenched in our hands, we were prepared for the sensation we were in a few minutes to make.
Source: Gutenberg

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