Summary

Portrait of George Du Maurier George Du Maurier A Legend of Camelot, Pictures and Poems… (1898)

Argal, she much preferred the gorgeous gilded glittering swells who had been born to Swelldom, as she had been born to Beauty, without any fuss or bother.
For Swelldom is like the rose, in that some of its scent will cling to those who live with it; so, at least, thought Mrs. Spratt.
And Swelldom is pretty to look at, and wears trousers that never bag at the knees, and boots and shoes that do not turn up at the toes, nor flatten under the sole of the foot; and the flowers in its buttonholes are poems, and its hats, neckties, and gloves are always new, and always the very best of their kind.
Source: Wikisource

Portrait of George Du Maurier George Du Maurier A Legend of Camelot, Pictures and Poems… (1898)

There had been one picture in particular, the Martyrdom of Cupid, by Luca Signorelli, in which Cupid himself, and the nymphs who persecute him, are of a beauty so overpowering that J. Spratt and the trusty friends would always feel faint, and weak in their backs and legs, through sheer excess of sensuous pleasure when they gazed at it; and varied as those nymphs were in form, hue, and feature, she could not claim the remotest resemblance to any single nymph amongst them, not even when she tried in a little round mirror.
Source: Wikisource

Portrait of George Du Maurier George Du Maurier A Legend of Camelot, Pictures and Poems… (1898)

Spratt would read aloud the fashionable arrangements for the week, and the week after, and the week after that; and not a card for any arrangement whatever, even at the eleventh hour! And even as she read, they groaned in the spirit together, and dropt the briny tear.
O ye Spratts! did you think it would go on for ever? Know ye not that all those wallowing sea-monsters of whom you small British fry are so doatingly fond, can be almost as fickle as yourselves—as ready to drop new friends for newer, as you are to drop old friends for them? Alas!
Source: Wikisource

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