Summary

Portrait of George Gissing George Gissing By the Ionian Sea: Notes of a Ramble in Southern Italy

I shall look upon the Ionian Sea, not merely from a train or a steamboat as before, but at long leisure: I shall see the shores where once were Tarentum and Sybaris, Croton and Locri. Every man has his intellectual desire; mine is to escape life as I know it and dream myself into that old world which was the imaginative delight of my boyhood. The names of Greece and Italy draw me as no others; they make me young again, and restore the keen impressions of that time when every new page of Greek or Latin was a new perception of things beautiful.
Source: Gutenberg

Portrait of George Gissing George Gissing By the Ionian Sea: Notes of a Ramble in Southern Italy

It had the true characteristics of southern song; rising tremolos, and cadences that swept upon a wail of passion; high falsetto notes, and deep tum-tum of infinite melancholy. Scorned by the musician, yet how expressive of a people's temper, how suggestive of its history! At the moment when this strain broke upon my ear, I was thinking ill of Cotrone and its inhabitants; in the first pause of the music I reproached myself bitterly for narrowness and ingratitude. All the faults of the Italian people are whelmed in forgiveness as soon as their music sounds under the Italian sky.
Source: Gutenberg

Portrait of George Gissing George Gissing By the Ionian Sea: Notes of a Ramble in Southern Italy

A beam of sunshine would have set me singing with joy. When half-way up, my driver rested his horses and came to speak a word; we conversed merrily. He was to make straight for the hotel, where shelter and food awaited us—a bottle of wine, ha! ha! He knew the hotel, of course? Oh yes, he knew the hotel; it stood just at the entrance to the town; we should arrive in half an hour.
Looking upwards I saw nothing but a mass of ancient ruins, high fragments of shattered wall, a crumbling tower, and great windows through which the clouds were visible. Inhabited Squillace lay, no doubt, behind.
Source: Gutenberg

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