Summary

Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter IV. Hints of Egotism in Goethe (1916)

How perfectly he knew the heart of the romantic egotist! The romantic egotist sets no particular limits to the range of his interests and sympathies; his programme, indeed, is to absorb the whole world. He is no wounded and disappointed creature, like Byron, that takes to sulking and naughtiness because things taste bitter in his mouth. He finds good and evil equally digestible. The personal egotism of Byron or of Musset after all was humble; it knew how weak it was in the universe.
Source: Wikisource

Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter IV. Hints of Egotism in Goethe (1916)

Gretchen’s garden, even the Walpurgisnacht, was in truth more classical. This is only another way of saying that in the attempt to be Greek the truly classical was missed even by Goethe, since the truly classical is not foreign to anybody. It is precisely that part of tradition and art which does not alienate us from our own life or from nature, but reveals them in all their depth and nakedness, freed from the fashions and hypocrisies of time and place.
Source: Wikisource

Portrait of George Santayana George Santayana Egotism in German Philosophy — Chapter IV. Hints of Egotism in Goethe (1916)

The attention he bestows on things seems to him to bathe in light their truly interesting side. What he chiefly considers is his own experience—what he cared for first, what second, what he thinks to-day, what he will probably think to-morrow, what friends he has had, and how they have lost their charm, what religions he has believed in, and in general what contributions the universe has made to him and he to the universe.
Source: Wikisource

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