George Santayana

George Santayana

The Dial (1923)

Summary

Portrait of George Santayana George Santayana,  The Dial (1923)

“ Something—let us call it matter—must always have existed, and some of its parts, under pressure of the others, must have got tied up into knots, like the mainspring of a watch, in such a violent and unhappy manner that when the pressure is relaxed they fly open as fast as they can, and unravel themselves with a vast sense of relief. ”
Source: Wikisource

Portrait of George Santayana George Santayana,  The Dial (1923)

“ Unity somehow exercises an evil spell over metaphysicians. It is admitted that in real life it is not well for One to be alone, and I think pure unity is no less barren and graceless in metaphysics. You must have plurality to start with, or trinity, or at least duality, if you wish to get anywhere, even if you wish to get effectively into the bosom of the One, abandoning your separate existence. Freud, like Empedocles, has prudently introduced a prior principle for Love to play with; not Strife, however (which is only an incident in Love) but Inertia, or the tendency towards peace and death. ”
Source: Wikisource

Portrait of George Santayana George Santayana,  The Dial (1923)

“ Each clock in revolving strikes the hour, even the quarters, and often with lovely chimes. These chimes we call perceptions, feelings, purposes, and dreams; and it is because we are taken up entirely with this pretty music, and perhaps think that it sounds of itself and needs no music-box to make it, that we find such difficulty in conceiving the nature of our own clocks and are compelled to describe them only musically, that is, in myths. But the ineptitude of our aesthetic minds to unravel the nature of mechanism does not deprive these minds of their own clearness and euphony. ”
Source: Wikisource

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