George Tyrrell

“ So much fire and feeling ill submits to the yoke of self-restraint in matters moral or intellectual. The mind is apt to be fascinated by the brilliant pictures of the imagination and to become a slave to the tyranny of a fixed idea; while the strength of passionate desire paralyzes the power of free deliberation. It is precisely this self-restraint, the fruit of a careful education given and responded to, that we miss in De Lammenais both in his moral character and in his mind. Peace and tranquillity of soul are essential to successful thinking, more especially in philosophy ”

“ We know only too well that there are universal fallacies as well as universal truths of the human mind. For the practical necessities of life the imagination stands to man in good stead, but as the inadequate instrument of speculative thought its fertile deceitfulness is betrayed in his very earliest attempts at philosophy; nor are his subsequent efforts directed to anything else than the endeavour to correct and allow for its refractions and distortions, to transcend its narrow limitations, to force it to express, meanly and clumsily, truths which otherwise it would entirely obscure and deny. ”

“ If it would positively exclude theism or finalism it must ascribe all seeming order and adaptation to the persistence of some blind force, subduing all things to itself, to "existence," or to "life" striving to assert and extend itself. It is this conception that seems best to bring the mystery of the universe within the comprehension of the popular mind, and is more in keeping with those "aggregation theories" of our day which regard dust as the one eternal reality whose combination and disguises delude us into believing in soul and intelligence and divinity. ”

“ If, therefore, solitary contemplative thought is a legitimate end in itself; if it is that ludus, or play of the soul, which is the highest occupation of man, a share in the same honour must be allowed to its accompanying embodiment; to the music which delights no ear but the performer's; to poetry, to painting, to sculpture done for the joy of doing, and without reference to the good of others communicating in that joy. And if the Divine Artist, whose lavish hand fills everything with goodness; who pours out the treasures of His love and wisdom in every corner of our universe ”

“ To speak human-wise, Nature in that case has but one end—animal life; and chooses every means solely with a view to that end. She does not care about pain or pleasure, or consciousness, or knowledge, or truth, or morality, or society, or science, or religion, for their own sakes; she cares for life only, and for these so far as—like horns and teeth and claws—they are conducive to life. Evolution therefore is governed by a blind non-moral principle—as blind and ruthless as gravitation. ”

“ Expression for expression's sake is a necessity of man's spiritual nature, in solitude no less than in society. To speak, to give utterance to the truth that he sees, and to the strong emotions that stir within his heart, is that highest energizing in which man finds his natural perfection and his rest. His soul is burdened and in labour until it has brought forth and expressed to its complete satisfaction the word conceived within it. ”

“ For a mind wholly unprepared, the full truth is often a light that blinds and darkness; whereas the tempered half-truth prepares the way for a fuller disclosure in due time, even as the law and the prophets prepared the way for the Gospel and Christ, or as the enigmas of faith school us to bear that light which now no man can gaze on and live. ”

“ If, then, we hold to the verdict of our common sense, and regard our mental life not as subordinate to our sensitive and vegetal life, but as co-ordinate and even superior, we must (so to speak) view it as no less "for its own sake," as no less an "end in itself" than they are, but rather much more; we must regard evolution as making for the life of truth and the life of righteousness even more principally than for bare existence or animal vitality. It is now no longer mere life that tries to assert itself, and in the struggle shapes things to what they are ”

“ To "explain" is in one way or another to liken the less known to what is better known; and thus every philosophy is an attempt to express—by means of sundry extensions and limitations—the universe of our experience in the terms of some totality with which we are more familiar; plainly, it is also an endeavour to express the greater in terms of the less, and must therefore be almost infinitely inadequate even at the best. At one time the Whole has been conceived as the unity of a mere aggregate—of a heap of stones; at another, as a mere sand-storm of fortuitous atoms ”

“ Now, the first sense suggested to us in these days by the word "progress," is material progress—all that came in with steam; and this narrow conception vitiates much of our reasoning. It is in this realm undoubtedly that competition is such a factor of rapid advance; but we forget that the food of what the best men have ever considered the best life, is not limited or divisible; but like the light and air is undiminished how many soever share it. ”

“ We can see how truly art is a [Greek: mimaesis] an imitating of realities; not that art-objects are, as Plato supposes, faint and defective representations, vicegerent species of the external world, whose beauty is but the transfer and dim reflection of the beauty of nature. Were it so, then the mirror, or the camera, were the best of all artists. As expression, fine art is the imitation of the soul within; of outward realities as received into the mind and heart of the artist, in their ideal and emotional setting. The artist gives word or expression to what he sees ”

“ Will a man be excused for deliberately dashing his foot against a stone because forsooth he has persuaded himself with Zeno, that there is no such thing as motion; or with Berkeley, that the externality of the world is a delusion; or will he be pardoned in his unbelief because he could not justify by philosophy the truth which conscience and nature are dinning into his ears: that there is a God the Rewarder of them that seek Him? ”

“ If Protestants have almost as crude an idea of the religion of their Catholic fellow-Christians with whom they live side by side, and converse in the same language, if they are so absolutely dominated by their own form of religious thought, as to be as helpless as idiots in the presence of any other, can we expect that the ordinary British traveller, "brandishing his Bible and his bath," strong in the smug conviction of his mental, moral, and religious preeminence, will be a very sympathetic, conscientious, and reliable interpreter of the religion of the Zulu or the Andamanese? ”

“ What is the value of the evidence of the senses if a suggestion can make us see the hat, but not the man who wears it; or dance half the night with an imaginary partner? Am I 'I myself, I,' or am I a barrel-organ playing 'God save the Queen,' if the stops are set in the normal fashion, but the 'Marseillaise' if some cunning hand has altered them without my knowledge? ”

“ The whole system of beliefs is accepted for the sake, and on the credit, of that part which so admirably unlocks the soul to her own gaze. "Now are we the sons of God, but it doth not yet appear what we shall be;" if besides satisfying our present ideal of religion, Christianity hints at and prepares us for such a transition as that from merely organic to sensitive life, or from this, to rational life, it rather adds to than detracts from the force of the argument. ”

“ The artist as such aims at self-expression for its own sake. It is a necessity of his nature, an outpouring of pent-up feeling, as much as is the song of the lark. Of course we are speaking of the true creative artist, and not of the laborious copyist. If he subordinates his work as a means to some further end; if his aim is morality or immorality, truth or error, pleasure or pain; if it is anything else than the embodiment or utterance of his own soul, so far he is acting riot as an artist, but as a minister of morality, or truth, or pleasure, or their contraries. ”

“ Laing no doubt, as he confesses, has lived pleasantly enough. He has found in what he calls science an endless source of diversion, he betrays himself everywhere as a man of intense intellectual curiosity in every direction, and yet withal so little concerned with the roots of things, so easily satisfied with a little plausible coherence in a theory, as not to have found truth an apparently stern or exacting mistress, not to have felt the anguish of any deep mental conflict. ”

“ The beauty, the solace, the adaptation to our higher needs of Christian teaching had been one thing; its truth, quite another. By dilating eloquently on the first, men might be won to the love of such an ideal, to wish that it might be true; and then disposed to profit by the distinct and independent labours of the apologist whose theme was, not the utility or beauty of the Catholic religion, but solely its truth. ”

“ It is not then so wonderful that this wise and holy woman should have faced the problems presented by the apparent discord between the truths of faith and the facts of human life—a discord which is felt in every age by the observant and thoughtful, but which in our age is a commonplace on the lips of even the most superficial. ”

“ And so, presumably, there is hardly any unity we can think of in our own little corner of experience that does not offer some similitude of the universal unity. But to take this as an adequate explanation; to force the metaphor to its logical consequences, to the exclusion of every other reasonable though non-rational assent, is the commonest but most fatal form of intellectual provincialism and narrowness. Our mind is essentially limited not merely in that it cannot know everything, but in that its mode of knowledge is imperfect and analogical in regard to all that is greater than itself. ”

“ Seeing that, the true cause of doubt and unbelief in the uncritical, is to be sought for proximately in the decay of a popular consensus in favour of belief, and ultimately in the disagreements and negations of those who lead and form public opinion, and in no wise in the reasons which they allege when they attempt a criticism that is beyond them; what will it profit to deal with the apparent cause if we cannot strike at the real cause? In practical matters, the reasons men give for their conduct, to themselves as well as to others, are often untrue, never exhaustive. ”

“ No doubt the old music and the old symbolism always will have a beauty of antiquity that can never belong to the new; but it was not this beauty—the beauty of death, of autumn leaves, that made them once popular, but the beauty of fresh green life and flexibility. The effort to make antiquity popular is almost a contradiction in terms. What we may hope for at most is an improvement in the æsthetic tastes of the Catholic public which comes from freer and healthier surroundings, from saner ideas and wider opportunities of education and liberal culture. ”

“ For they love the parade of formal reason, as they love big words or technical terms, or a smattering of French or Latin, with all the delight of a child in the mysterious and unfamiliar; but their pretence to be ruled by it is mere affectation, and the tenacity with which they cling to their arguments is rather the tenacity of blind faith in a dogma, than of clear insight into principles. ”