Various, Encyclopaedia Britannica, 11th Edition…
“ His versification, harmonious as it is, is monotonous, and he does not venture into the bold lyrical forms which true poetry loves. He has still the horror of the mot propre; he is always spiritualizing and idealizing, and his style and thought have a double portion of the feminine and almost flaccid softness which had come to pass for grace in French. The last of the trio, Lamennais, represents an altogether Lamennais. bolder and rougher genius. Strongly influenced by the Catholic reaction, Lamennais also shows the strongest possible influence of the revolutionary spirit. ”
