Helen A. Clarke

Summary

Helen A. Clarke Browning and His Century

He speaks alternately like a seer and an artist; one who is now bewitched with the vision of beauty, and now is caught up into Paradise, where he hears unutterable things. To him the spiritual world is an intense reality. He hears the voices, he sees the presences of the supernatural. As he mourns beside the river of his sorrow, like Ezekiel, he has his visions of winged and wheeling glory, and leaning over the ramparts of the world his gaze is fixed on the uncovered mysteries of a world to come. There is no poet to whom the supernatural has been so much alive.
Source: Gutenberg

Helen A. Clarke Browning and His Century

The optimism of such a theory of existence is intoxicating. Not only does this artist-man look backward and rejoice in all the beauty of past phases of creation, but he looks forward to endless progression in the enjoyment of fresh phases of beauty—“a flying point of bliss remote.” This is a universe in which the Prometheus of the old myths is indeed unbound. Mankind is literally free to progress forever upward. If there are some men in darkness, they are like plants in mines struggling to break out into the sunlight they see beyond.
Source: Gutenberg

Helen A. Clarke Browning and His Century

The kernel of the myth of Prometheus as developed by Æschylus is proud, unflinching suffering of punishment, inflicted, not by a god justly angry for sin against himself, but by a god sternly mindful of his own prerogatives, whose only right is might, and jealous of any interference in behalf of the race which he detested—the race of man. Thus Prometheus stands out as a hero in Greek mythology, a mediator between man and the blind anger of a god of unconditional power; and Prometheus, with an equally blind belief in Fate, accepts while he defies the punishment inflicted by Zeus.
Source: Gutenberg

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