Summary

Portrait of Helen Marot Helen Marot Creative Impulse in Industry: A Proposition for Educators

But any one who follows the sacrifices which organized workers make for some small and equivocal gain or who watches them in their periods of greatest activity, knows that the labor movement gets its stimulus, its high pitch of interest, not from its struggle for higher wage rates, but from the worker's participation in the administration of affairs connected with life in the shop. The real tragedy in a lost strike is not the failure to gain the wage demand; It is the return of the defeated strikers to work, as men unequipped with the administrative power—as men without will.
Source: Gutenberg

Portrait of Helen Marot Helen Marot Creative Impulse in Industry: A Proposition for Educators

It would seem the better part of statesmanship in America after the war to build industrially on the strength of our people and not on the weakness of another. It is the business of educators to point out the danger and to discover whether efficiency may not be gained in the country by giving children in their adolescent period the impulse for production and high standards of work, not for the sake of the state, but for themselves, for the sake of the community,—out of love of work and for the value of its service.
Source: Gutenberg

Portrait of Helen Marot Helen Marot Creative Impulse in Industry: A Proposition for Educators

It is also difficult to prove that the physical hardships of modern methods of production are greater than the hardships of earlier methods. The truth is that neither hardships nor exploitation of labor are new factors; they have both, through long centuries, repressed in varying degree the inspirational and intellectual interest of workers in productive effort. It is not the economic burdens which followed the introduction of machinery and the division of labor that distinguish these new factors in industry, but the discredit which they throw around man's labor power.
Source: Gutenberg

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