Summary

Portrait of Herbert Allen Giles Herbert Allen Giles A History of Chinese Literature

He is like a candle in the wind. I have naught wherewith to nourish him alive or to honour him when dead. I am a lone woman. If I tend the one, I lose the other. If I return to my father-in-law, my husband will die of starvation. If I remain to feed him, my father-in-law may die at any hour. My husband is a criminal bound in gaol. He dares give no thought to his home. Yet can it be that when all living things are rejoicing in life under the wise and generous rule of to-day, we alone should taste the cup of poverty and distress, and find ourselves beyond the pale of universal peace?
Source: Gutenberg

Portrait of Herbert Allen Giles Herbert Allen Giles A History of Chinese Literature

Thus it was in the early days of the dynasty, until some seventy years after the accession of the House of Han. The empire was then at peace. For a long time there had been neither flood nor drought, and a season of plenty had ensued. The public granaries were well stocked; the Government treasuries were full. In the capital, strings of cash were piled in myriads, until the very strings rotted, and their tale could no longer be told. The grain in the Imperial storehouses grew mouldy year by year. It burst from the crammed granaries, and lay about until it became unfit for human food.
Source: Gutenberg

Portrait of Herbert Allen Giles Herbert Allen Giles A History of Chinese Literature

What boots it to wear out the soul with anxious thoughts? I want not wealth; I want not power; heaven is beyond my hopes. Then let me stroll through the bright hours as they pass, in my garden among my flowers; or I will mount the hill and sing my song, or weave my verse beside the limpid brook. Thus will I work out my allotted span, content with the appointments of Fate, my spirit free from care.”
The “Peach-blossom Fountain” of Tao Ch‘ien is a well-known and charming allegory, a form of literature much cultivated by Chinese writers.
Source: Gutenberg

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