Irvine Garland Penn

Irvine Garland Penn

Summary

Portrait of Irvine Garland Penn Irvine Garland Penn The Afro-American Press and Its Editors (1891)

It is here that the relations the negro Press sustains to the negro problem, are thrown out as clearly as the sun in the heavens, against the mountainous wall of observation. The newspaper has become, in every country where modern civilization exists, the oracle of the people. More than that, it has become the defender of the just rights of the people against the encroachments of the ambitious and the covetous few; so that it may of a truth be said that error and wrong can not long prevail where the Press is left free to combat them.
Source: Wikisource

Portrait of Irvine Garland Penn Irvine Garland Penn The Afro-American Press and Its Editors (1891)

In fact, there is no speech or language in which we may express ourselves forcibly enough, to depict accurately the Herculean power of the press. It is a nation's great stronghold and defense. It is the popular teacher of every individual. In some way, it reaches into every household.
These last thoughts, coupled with the opinion of Lord Wynford on the liberty of the press, call to mind the fact that in our country, where all men are recognized as one people, the cannon mouth of the press, in many instances, is turned as a formidable enemy against a certain portion of this people.
Source: Wikisource

Portrait of Irvine Garland Penn Irvine Garland Penn The Afro-American Press and Its Editors (1891)

The press can elect a president of the United States; it can sink a public measure into oblivion; it can create wars; it can cause the destruction of a nation by creating public sentiment.
The ability and fitness of the press is the measure of a country's progress and of its power. It causes the country to develop, by publishing its resources. A unanimous suggestion of the press is followed by an equally unanimous action of the people. It can rear up and pull down; it can create and it can destroy.
Source: Wikisource

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