James Whitcomb Riley

“ Briefly summed, it would appear that dialect means something more than mere rude form of speech and action—that it must, in some righteous and substantial way, convey to us a positive force of soul, truth, dignity, beauty, grace, purity and sweetness that may even touch us to the tenderness of tears. Yes, dialect as certainly [Pg 200] does all this as that speech and act refined may do it, and for the same reason: it is simply, purely natural and human.
Yet the Lettered and the Unlettered powers are at swords' points; and very old and bitter foemen, too, they are. ”

“ In no less excellence should the work of Joel Chandler Harris be regarded: His touch alike is ever reverential. He has gathered up the bruised and broken voices and the legends of the slave, and from his child-heart he has affectionately yielded them to us in all their eerie beauty and wild loveliness. Through them we are made to glorify the helpless and the weak and to revel in their victories. But, better, we are taught that even in barbaric breasts there dwells inherently the sense of right above wrong—equity above law—and the One Unerring Righteousness Eternal. ”

“ Then why do we deny him any righteous place of recognition in our Literature? From the immemorial advent of our dear old Mother Goose, Literature has been especially catering to the juvenile needs and desires, and yet steadfastly overlooking, all the time, the very principles upon which Nature herself founds and presents this lawless little brood of hers—the children. It is not the children who are out of order; it is Literature. And not only is Literature out of order, but she is presumptuous ”

“ There is something more at fault than the language when we turn from or flinch at it; and, as has been intimated, the wretched fault may be skulkingly hidden away in the ambush of ostensible dialect—that type of dialect so copiously produced by its sole manufacturers, who, utterly stark and bare of the vaguest idea of country life or country people, at once assume that all their "gifted pens" have to do is to stupidly misspell every word ”

“ Is a pictur' that no painter has the colorin' to mock—
When the frost is on the punkin and the fodder's in the shock.
The husky, rusty russel of the tossels of the corn,
And the raspin' of the tangled leaves, as golden as the morn;
The stubble in the furries—kindo' lonesome-like, but still
A-preachin' sermuns to us of the barns they growed to fill;
The strawstack in the medder, and the reaper in the shed;
The hosses in theyr stalls below—the clover overhead!—
O, it sets my hart a-clickin' like the tickin' of a clock,
When the frost is on the punkin and the fodder's in the shock! ”

“ Always there is strangely mingled, but most naturally, the gentle nature cropping out amid the most [Pg 211] desperate and stoical: the night scene in the isolated mountain cabin, guarded ever without and within from any chance down-swooping of the minions of the red-eyed law; the great man-group of gentle giants, with rifles never out of arm's-reach, in tender rivalry ranged admiringly around the crowing, wakeful little boy-baby; the return, at last, of the belated mistress of the house—the sister, to whom all do great, awkward reverence. ”

“ His work he celebrates because it is not his only, but because he feels it the conscientious reproduction of the life itself—as he has seen and known and felt it;—a representation it is of God's own script, translated and transcribed by the worshipful mind and heart and hand of genius. ”

“ When any one comes nigh it, acts so lonesome-like and queer;
And the little Banty chickens kindo' cutters faint and low,
Like the hand that now was feedin' 'em was one they didn't know.
They's sorrow in the wavin' leaves of all the apple-trees;
And sorrow in the harvest-sheaves, and sorrow in the breeze;
And sorrow in the twitter of the swallers 'round the shed;
And all the song her red-bird sings is "Little Haly's dead!"
The medder 'pears to miss her, and the pathway through the grass,
Whare the dewdrops ust to kiss her little bare feet as she passed ”

“ In connection with this last let us very seriously inquire what this real child has done that Literature should so persistently refuse to give him an abiding welcome? Since for ages this question seems to have been left unasked, it may be timely now to propound it. Why not the real child in Literature? The real child is good enough (we all know he is bad enough) to command our admiring attention and most lively interest in real life, and just as we find him "in the raw." ”

“ He may know everything else in the world, but not dialect, nor dialectic people, for both of which he has supreme contempt, which same, be sure, is heartily returned. Such a "superior" personage may even go among these simple country people and abide indefinitely in the midst of them, yet their more righteous contempt never for one instant permits them to be their real selves in his presence. ”

“ Let the public try, then, to contribute the real child to the so-called Child Literature of its country, and have its real child returned as promptly as it dare show its little tousled head in the presence of that scholarly and dignified institution. ”

“ As this phrase goes down the man himself arises—the type perfect—Colonel Richard Malcolm Johnston, who wrote "The Dukesborough Tales"—an accomplished classic scholar and teacher, yet no less an accomplished master and lover of his native dialect of middle Georgia. He, like Dickens, permits his rustic characters to think, talk, act, and live, just as nature designed them. He does not make the pitiable error of either patronizing or making fun of them. He knows them and he loves them ”

“ Sounded like the laugh of something we onc't ust to know
Before we could remember anything but the eyes
Of the angels lookin' out as we left Paradise;
But the merry days of youth is beyond our controle,
And it's hard to part ferever with the old swimmin'-hole.
Oh! the old swimmin'-hole! In the happy days of yore,
When I ust to lean above it on the old sickamore,
Oh! it showed me a face in its warm sunny tide
That gazed back at me so gay and glorified,
It made me love myself, as I leaped to caress
My shadder smilin' up at me with sich tenderness. ”

“ He restricts and abridges the vocabulary of his speech, fundamentally, for the reason that he fears offending his rural neighbors, to whom a choicer speech might suggest, on his part, an assumption—a spirit of conscious superiority, and therewith an implied reflection on their lack of intelligence and general worthiness. If there is any one text universally known and nurtured of the Unlettered masses of our common country, it is that which reads, "All men are created equal." ”

“ Our own brief history as a nation, and our finding and founding and maintaining of it, left our forefathers little time indeed for the delicate cultivation of the arts and graces of refined and scholarly attainments. ”

“ It must a-be'n about three o'clock in the morning by this time, and the mill then was jist a-smoulderin' to ashes—fer it was as dry as tinder and burnt like a flash—and jist as a party was a-talkin' o' organizin' and follerin' Carter, we heerd a yell 'at I'll never fergit ef I'd live tell another flood. Old Ezry, it was, as white as a corpse, and with the blood a-streamin' out of a gash in his forred, and his clothes half on, come a-rushin' into the crowd and a-hollerin' fire and murder ever' jump. "My house is a-burnin', and my folks is all a-bein' murdered whilse you're a-standin' here! ”

“ In every detail, the most minute, such work reveals the master-hand and heart of the humanitarian as well as artist—the two are indissolubly fused—and the result of such just treatment of whatever lowly themes or characters we can but love and loyally approve with all our human hearts. Such masters necessarily are rare, and such ripe perfecting as is here attained may be in part the mellowing result of age and long observation, though [Pg 210] it can but be based upon the wisest, purest spirit of the man as well as artist. ”

“ I bless the hoss from hoof to head—
From head to hoof, and tale to mane!—
I bless the hoss, as I have said,
From head to hoof, and back again! ”

“ And they're mighty good people to know:
And whare's better people a-livin', to-day,
Than us in the country?—Yit good
As both of us is, we're divorsed, you might say,
And won't compermise when we could!
Now as nigh into town fer yer Pap, ef you please,
Is the what's called the sooburbs.—Fer thare
You'll at least ketch a whiff of the breeze and a sniff
Of the breth of wild-flowrs ev'rywhare.
They's room fer the childern to play, and grow, too—
And to roll in the grass, er to climb
Up a tree and rob nests, like they ortent to do,
But they'll do anyhow ev'ry time! ”

“ And I wonder ef I ain't reformed enough to go back? Good-bye, Annie!' he hollered; 'and you needn't fret about yer baby, I'll be the same indulgent father to it I've allus be'n!' And the baby was a-cryin' and a-reachin' out its little arms to'rds its mother, when Bills he turned and struck off in the dark to'rds the river."
This was about the tale 'at Ezry told us, as nigh as I can rickollect: and by the time he finished, I never want to see jist sich another crowd o' men as was a-swarmin' there. Ain't it awful when sich a crowd gits together? ”

“ Ezry was kindo' down fer a long time, though; didn't like to talk about his trouble much, and didn't 'tend meetin' much, like he used to; said it made him think 'bout his house burnin', and he didn't feel safe to lose sight o' the mill. And the meetin's kindo' broke up altogether that winter. Almost broke up religious doin's, it did. 'S long as I've lived here I never seed jist sich a slack in religion as they was that winter; and 'fore then, I kin mind the time when they wasn't a night the whole endurin' winter when they didn't have preachin' er prayer-meetin' o' some kind a-goin' on. ”

“ Steve was allus quiet-like, but ef you raised his dander onc't—and you could do that 'thout much trouble, callin' him names er somepin', particular' anything 'bout his mother. Steve loved his mother—allus loved his mother, and would fight fer her at the drap o' the hat. And he was her favo-rite—allus a-talkin' o' "her boy, Steven," as she used to call him, and so proud of him, and so keerful of him allus, when he'd be sick or anything; nuss him like a baby, she would. ”

“ They are not his kind of people, any more than he is their kind of man; and their disappointment grieves us more than his.
The master in Literature, as in any art, is that "divinely gifted man" who does just obeisance to all living [Pg 204] creatures, "both man and beast and bird." It is this master only who, as he writes, can sweep himself aside and leave his humble characters to do the thinking and the talking. This man it is who celebrates his performance—not himself. ”

“ Fer three weeks Bills laid betwixt life and death, and that woman set by him night and day, and tended him as patient as a' angel—and she was a' angel, too; and he'd a-never lived to bother nobody agin ef it hadn't a-be'n fer Annie, as he called her. Zions said there was a 'brazure of the—some kind o' p'tuber'nce, and ef he'd a-be'n struck jist a quarter of a' inch below—jist a quarter of a' inch—he'd a be'n a dead man. And I've sence wished—not 'at I want the life of a human bein' to account fer—on'y,—well, no odds—I've sence wished 'at I had a-hit him jist a quarter of a' inch below! ”

“ A curious thing, indeed, is this factional pride, as made equally manifest in both forces; in one, for instance, of the Unlettered forces: The average farmer, or countryman, knows, in reality, a far better and wider range of diction than he permits himself to use. ”

“ William Leachman, I can see you jest as plane as I could then;
And your hand is on my shoulder, and you rouse me up again;
And I see the tears a-drippin' from your own eyes, as you say:
"Be rickonciled and bear it—we but linger fer a day!"
[Pg 33]
At the last Old Settlers' Meetin' we went j'intly, you and me—
Your hosses and my wagon, as you wanted it to be;
And sence I can remember, from the time we've neghbored here,
In all sich friendly actions you have double-done your sheer. ”

“ It was too late in the fall then to think o' buildin' even the onriest kind o' shanty, and so Ezry moved in with Bills. And Bills used to say ef it hadn't a-be'n fer Ezry he'd a-never a-had no house, ner nothin' to putt in it, nuther! You see, all the household goods 'at Bills had in the world he'd got of Ezry, and he 'lowed he'd be [Pg 165] a triflin' whelp ef he didn't do all in his power to make Ezry perfeckly at home's long as he wanted to stay there. And together they managed to make room fer 'em all, by a-buildin' a kindo' shed-like to the main house, intendin' to build when Spring come. ”

“ Now, anybody 'at ever danced knows 'at "Barbary Allan" hain't no tune to dance by, no way you can fix it; and, o' course, the boys seed at onc't their fun was gone ef they couldn't git him on another tune.—And they'd coax and beg and plead with him, and maybe git him started on "The Wind Blows over the Barley," and 'bout the time they'd git to knockin' it down agin purty lively, he'd go to sawin' away on "Barbary Allan"—and I'll-be-switched-to-death ef that feller didn't set there and play hisse'f sound asleep on "Barbary [Pg 172] Allan," and we had to wake him up afore he'd quit! ”