John Ruskin

John Ruskin

Summary

Portrait of John Ruskin John Ruskin The Pleasures of England (1888)

The Saxon builds no aqueducts—designs no roads, rounds no theatres in imitation of her,—envies none of her vile pleasures,—admires, so far as I can judge, none of her far-carried realistic art. I suppose that it needs intelligence of a more advanced kind to see the qualities of complete sculpture: and that we may think of the Northern intellect as still like that of a child, who cares to picture its own thoughts in its own way, but does not care for the thoughts of older people, or attempt to copy what it feels too difficult.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Pleasures of England

Westminster Abbey, so we hear it said, sometimes with a cynical sneer, sometimes with a timorous scruple, has admitted within its walls many who have been great without being good, noble with a nobleness of the earth earthy, worldly with the wisdom of this world. But it is a counterbalancing reflection, that the central tomb, round which all those famous names have clustered, contains the ashes of one who, weak and erring as he was, rests his claims of interment here, not on any act of power or fame, but only on his artless piety and simple goodness.
Source: Gutenberg

Portrait of John Ruskin John Ruskin The Pleasures of England (1888)

When a boy falls in love with a girl, you say he has taken a fancy for her; but if he love her rightly, that is to say for her noble qualities, you ought to say he has taken an imagination for her; for then he is endued with the new light of love which sees and tells of the mind in her,—and this neither falsely nor vainly. His love does not bestow, it discovers, what is indeed most precious in his mistress, and most needful for his own life and happiness. Day by day, as he loves her better, he discerns her more truly; and it is only the truth of his love that does so.
Source: Wikisource

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