Summary

Portrait of Judah Halevi Judah Halevi Kitab al Khazari (Kuzari) — Part Three

They stand without fatigue when occasion demands, they bow down when he bids them to do so, and sit at the proper moment. The eyes look as a servant looks at his master, the hands drop their play and do not meet, the feet stand straight, and all limbs are as frightened and anxious to obey their master, paying no heed to pain or injury. The tongue agrees with the thought, and does not overstep its bounds, does not speak in prayer in a mere mechanical way as the starling and the parrot, but every word is uttered thoughtfully and attentively.
Source: Wikisource

Portrait of Judah Halevi Judah Halevi Kitab al Khazari (Kuzari) — Part Three

The organs of speech are much finer and more delicate than these. The child, as thou seest, repeats everything he hears, without knowing with which organ, nerve, muscle he must speak. The same is the case with the organs of breathing in singing melodies. People reproduce them quite harmoniously without being aware how it was done; as if their Creator produced them ever anew and placed them in man's service. Such, indeed, is the case; at least it nearly approaches it. One must not consider the work of creation in the light of an artisan's craft.
Source: Wikisource

Portrait of Judah Halevi Judah Halevi Kitab al Khazari (Kuzari) — Part Three

Prayer is for his soul what nourishment is for his body. The blessing of one prayer lasts till the time of the next, just as the strength derived from the morning meal lasts till supper. The further his soul is removed from the time of prayer, the more it is darkened by coming in contact with worldly matters. The more so, as necessity brings it into the company of youths, women, or wicked people; when one hears unbecoming and soul-darkening words and songs which exercise an attraction for his soul which he is unable to master.
Source: Wikisource

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