Summary

Portrait of Lydia Maria Child Lydia Maria Child The history of the condition of women… (1835)

The manner of speaking to a slave is almost universally haughty and contemptuous. Delicate, languid, and graceful ladies, who would cherish a lapdog, and shrink from harming a butterfly, will, in a moment of anger, seize the whip and chastise a slave for the slightest fault, and sometimes for errors, which in their calmer moments they discover were never committed. If all history did not prove that the possession of absolute power is apt to produce a species of insanity, it would be difficult to believe the occasional demonstrations of vindictive passions in slave countries.
Source: Gutenberg

Portrait of Lydia Maria Child Lydia Maria Child The history of the condition of women… (1835)

The profligacy of Rome in its worst days was comparatively thrown into the shade. Religion and marriage became a mockery, and every form of impure and vindictive passion walked abroad, with the consciousness that public opinion did not require them to assume even a slight disguise. The fish-women of Paris will long retain an unenviable celebrity for the brutal excesses of their rage. The goddess of Reason was worshipped by men, under the form of a living woman entirely devoid of clothing; and in the public streets ladies might be seen who scarcely paid more attention to decorum.
Source: Gutenberg

Portrait of Lydia Maria Child Lydia Maria Child The history of the condition of women… (1835)

At the solemn and imposing ceremony of a knight’s inauguration, fair ladies attended upon him, and delivered him the various pieces of his armor. His coat of mail was usually crossed by a scarf, which his lady-love had embroidered in the seclusion of her own apartment. The crest of the helmet was often adorned with ringlets of fair hair, a garland of flowers, or a lady’s glove, which was sometimes set in pearls. But the great scene of beauty’s triumph was in the gorgeous pageant of the tournament. On these occasions women had sovereign power.
Source: Gutenberg

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