Summary

Portrait of Martin Ross Martin Ross,  Some Irish Yesterdays

“ In that far west of Galway, the silence dwells pure upon the spacious country, away to where the Twelve Pins make a gallant line against the northern sky. It comes in the heathery wind, it borrows peace from the white cottage gables on the hill side, it is accented by the creeping approach of a turf cart, rocking behind its thin grey pony. Little else stirs, save the ducks that sail on a wayside pool to the push of their yellow propellers; away from the road, on a narrow oasis of arable soil, a couple of women are digging potatoes ”
Source: Gutenberg

Portrait of Martin Ross Martin Ross,  Some Irish Yesterdays

“ The road kept in touch with the coast, the car mounted to higher ground, with the shafts pointing heavenward on either side of the horse's touzled mane. Pale green fields and pale tracts of sand mitigated the tyranny of rock, as the island sloped south-eastward into the rich and wide azure of the sea. A village straggled along the shore, the chief mass of the low, white houses clustered round a fragment of bastion and buttress that tells of the days when Cromwell's arm was long enough to grasp even Aran and build a stronghold there, what time the iron entered into the soul of Galway. ”
Source: Gutenberg

Portrait of Martin Ross Martin Ross,  Some Irish Yesterdays

“ The corragh has no keel, and a sneeze is rightly believed to be fatal to its equilibrium, but an Aran old woman and an Aran gander can rush in where Sir Isaac Newton might fear to tread.
A crowd waited at the pier's end, as the boats came creaking and gliding in to their feet; a crowd of large and angular people, their faces strong and inquisitive, and instantly remarkable to any one accustomed to the mild and half-bashful expression of West Galway eyes. There is about them an air of a foreign race and of an earlier century.
”
Source: Gutenberg

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