Summary

Portrait of Mason Jackson Mason Jackson The Pictorial Press: Its Origin and Progress

In London, and in all our great centres of population, the newspaper has become the unfailing accompaniment of the City man’s journey to business. At the railway stations journals of every kind tempt the loitering passenger, while the illustrated papers appeal to him in a language of their own. Whether in the railway carriage, the omnibus, or the steam-boat, the newspaper is eagerly conned, and its contents form the food of conversation.
Source: Gutenberg

Portrait of Mason Jackson Mason Jackson The Pictorial Press: Its Origin and Progress

The printing-machine never sleeps and is never tired. Its voice is one of the voices of the night—most unmusical, yet with a mysterious meaning. The daily newspaper, so potent in diffusing the light of knowledge, is itself the offspring of darkness. The busy brains and active fingers which create it turn night into day in the execution of their quickly recurring tasks, and with unflagging energy they labour on, that the slumbering world may be properly amused and instructed when it wakes.
Source: Gutenberg

Portrait of Mason Jackson Mason Jackson The Pictorial Press: Its Origin and Progress

The life of the times—the signs of its taste and intelligence—its public monuments and public men—its festivals—institutions—amusements—discoveries—and the very reflection of its living manners and costumes—the variegated dresses of its mind and body—what are—what 297 must be all these but treasures of truth that would have lain hid in Time’s tomb, or perished amid the sand of his hour-glass but for the enduring and resuscitating powers of art—the eternal register of the pencil giving life and vigour and palpability to the confirming details of the pen.
Source: Gutenberg

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