Oliver Wendell Holmes

“ When a realistic writer like Zola surprises his reader into a kind of knowledge he never thought of wishing for, he sometimes harms him more than he has any idea of doing. He wants to produce a sensation, and he leaves a permanent disgust not to be got rid of. Who does not remember odious images that can never be washed out from the consciousness which they have stained? A man's vocabulary is terribly retentive of evil words, and the images they present cling to his memory and will not loose their hold. ”

“ What kind of audience or reading parish is a man who secured his constituency in middle life, or before that period, to expect when he has reached the age of threescore and twenty? His coevals have dropped away by scores and tens, and he sees only a few units scattered about here and there, like the few beads above the water after a ship has gone to pieces. Does he write and publish for those of his own time of life? He need not print a large edition. Does he hope to secure a hearing from those who have come into the reading world since his coevals? ”

“ Old age is like an opium-dream. Nothing seems real except what is unreal. I am sure that the pictures painted by the imagination,—the faded frescos on the walls of memory,—come out in clearer and brighter colors than belonged to them many years earlier. Nature has her special favors for her children of every age, and this is one which she reserves for our second childhood.
No man can reach an advanced age without thinking of that great change to which, in the course of nature, he must be so near. ”

“ Will you ask a portrait-painter how many of those who sit to hint have both sides of their faces exactly alike? I believe he will tell you that one side is always a little better than the other. What will your hatter say about the two sides of the head? Do you see equally well with both eyes, and hear equally well with both ears? Few persons past middle age will pretend that they do. Why should the two halves of a brain not show a natural difference, leading to confusion of thought, and very possibly to that instinct of contradiction of which I was speaking? ”

“ Number Five stopped here.
Your imaginary wholesale Shakerdom is all very fine, said I. Your Utopia, your New Atlantis, and the rest are pretty to look at. But your philosophers are treating the world of living souls as if they were, each of them, playing a game of solitaire,—all the pegs and all the holes alike. Life is a very different sort of game. It is a game of chess, and not of solitaire, nor even of checkers. The men are not all pawns, but you have your knights, bishops, rooks,—yes, your king and queen,—to be provided for. ”

“ No man has ever asserted the surpassing dignity and importance of the American citizen so boldly and freely as Mr. Whitman. He calls himself “teacher of the unquenchable creed, namely, egotism.” He begins one of his chants, “I celebrate myself,” but he takes us all in as partners in his self-glorification. He believes in America as the new Eden.
“A world primal again,—vistas of glory incessant and branching, A new race dominating previous ones and grander far, New politics—new literature and religions—new inventions and arts.” ”

“ CACOETHES SCRIBENDI. If all the trees in all the woods were men, And each and every blade of grass a pen; If every leaf on every shrub and tree Turned to a sheet of foolscap; every sea Were changed to ink, and all earth's living tribes Had nothing else to do but act as scribes, And for ten thousand ages, day and night, The human race should write, and write, and write, Till all the pens and paper were used up, And the huge inkstand was an empty cup, Still would the scribblers clustered round its brim Call for more pens, more paper, and more ink. ”

“ I said one day to Number Five, as our pretty Delilah put her arm between us with a bunch of those tender early radishes that so recall the rosy-fingered morning of Homer. The little hand which held the radishes would not have shamed Aurora. That hand has never known drudgery, I feel sure.
When I spoke those French words our little Delilah gave a slight, seemingly involuntary start, and her cheeks grew of as bright a red as her radishes. Ah, said I to myself; does that young girl understand French? It may be worth while to be careful what one says before her. ”

“ The two Annexes turn towards the mystic urn as if the lots which were to determine their destiny were shut up in it. Number Five, quieter, and not betraying more curiosity than belongs to the sex at all ages, glances at the sugarbowl now and then; looking so like a clairvoyant, that sometimes I cannot help thinking she must be one. There is a sly look about that young Doctor's eyes, which might imply that he knows something about what the silver vessel holds, or is going to hold. The Tutor naturally falls under suspicion, as he is known to have written and published poems. ”

“ The bubble is the soul.
I confess that I am not in sympathy with some of the movements that accompany the manifestations of American social and literary independence. I do not like the assumption of titles of Lords and Knights by plain citizens of a country which prides itself on recognizing simple manhood and womanhood as sufficiently entitled to respect without these unnecessary additions. I do not like any better the familiar, and as it seems to me rude, way of speaking of our fellow-citizens who are entitled to the common courtesies of civilized society. ”

“ In the mean time there is a train of thought suggested by Number Seven and his whims. If you want to know how to account for yourself, study the characters of your relations. All of our brains squint more or less. There is not one in a hundred, certainly, that does not sometimes see things distorted by double refraction, out of plumb or out of focus, or with colors which do not belong to it, or in some way betraying that the two halves of the brain are not acting in harmony with each other. You wonder at the eccentricities of this or that connection of your own. ”

“ I have seen a string of women's love-letters, in which the creature enlaced herself about the object of her worship as that South American parasite which clasps the tree to which it has attached itself, begins with a slender succulent network, feeds on the trunk, spreads its fingers out to hold firmly to one branch after another, thickens, hardens, stretches in every direction, following the boughs,—and at length gets strong enough to hold in its murderous arms, high up in air, the stump and shaft of the once sturdy growth that was its support and subsistence. ”

“ Something precious, evidently, for it is bound in “tree calf,” and there is gilding enough about it for a birthday present. The reader seems to be deeply absorbed in its contents, and at times greatly excited by what he reads; for his face is flushed, his eyes glitter, and—there rolls a large tear down his cheek. Listen to him; he is reading aloud in impassioned tones:
And have I coined my soul in words for naught? And must I, with the dim, forgotten throng Of silent ghosts that left no earthly trace To show they once had breathed this vital air, Die out, of mortal memories? ”

“ Come! who will be my pupils in a Course,—Poetry taught in twelve lessons? That made a laugh, in which most of The Teacups, myself included, joined heartily. Through it all I heard the sweet tones of Number Five's caressing voice; not because it was more penetrating or louder than the others, for it was low and soft, but it was so different from the others, there was so much more life,—the life of sweet womanhood,—dissolved in it. ”

“ For those who take the trouble to drink out of the cup below the rim of honey, there is a scene where realism is carried to its extreme,—surpassed in horror by no writer, unless it be the one whose name must be looked for at the bottom of the alphabet, as if its natural place were as low down in the dregs of realism as it could find itself. ”

“ Presumptions are strong obstacles against any result we wish to attain, but half our work in life is to overcome them. A great many results look in the distance like six-foot walls, and when we get nearer prove to be only five-foot hurdles, to be leaped over or knocked down. Twenty years from now she may be a vigorous and active old woman, and he a middle-aged, half-worn-out invalid, like so many overworked scholars. Everything depends on the number of drops of the elixir vitae which Nature mingled in the nourishment she administered to the embryo before it tasted its mother's milk. ”

“ Shall priesthood's palsied arm protect The wrong our human hearts reject, And smite the lips whose shuddering cry Proclaims a cruel creed a lie? The wizard's rope we disallow Was justice once,—is murder now! Is there a world of blank despair, And dwells the Omnipresent there? Does He behold with smile serene The shows of that unending scene, Where sleepless, hopeless anguish lies, And, ever dying, never dies? Say, does He hear the sufferer's groan, And is that child of wrath his own? ”

“ Notwithstanding the fact that I am nominally the head personage of the circle of Teacups, I do not pretend or wish to deny that we all look to Number Five as our chief adviser in all the literary questions that come before us. She reads more and better than any of us. She is always ready to welcome the first sign of genius, or of talent which approaches genius. She makes short work with all the pretenders whose only excuse for appealing to the public is that they “want to be famous.” ”

“ If you could stick to your reading day and night for fifty years, what a learned idiot you would become long before the half-century was over! Well, then, there is no use in gorging one's self with knowledge, and no need of self-reproach because one is content to remain more or less ignorant of many things which interest his fellow-creatures. We gain a good deal of knowledge through the atmosphere; we learn a great deal by accidental hearsay, provided we have the mordant in our own consciousness which makes the wise remark, the significant fact, the instructive incident, take hold upon it. ”

“ There are a great many women,—and some men,—who write in verse from a natural instinct which leads them to that form of expression. If you could peep into the portfolio of all the cultivated women among your acquaintances, you would be surprised, I believe, to see how many of them trust their thoughts and feelings to verse which they never think of publishing, and much of which never meets any eyes but their own. Don't be cruel to the sensitive natures who find a music in the harmonies of rhythm and rhyme which soothes their own souls, if it reaches no farther. ”

“ I remember that one who was very near and dear to me, and who lived to a great age, so that the ten-barred gate of the century did not look very far off, would sometimes apologize in a very sweet, natural way for lingering so long to be a care and perhaps a burden to her children, themselves getting well into years. It is not hard to understand the feeling, never less called for than it was in the case of that beloved nonagenarian. I have known few persons, young or old, more sincerely and justly regretted than the gentle lady whose memory comes up before me as I write. ”

“ Life is a petit verre of a very peculiar kind of spirit. At seventy years it used to be said that the little glass was full. We should be more apt to put it at eighty in our day, while Gladstone and Tennyson and our own Whittier are breathing, moving, thinking, writing, speaking, in the green preserve belonging to their children and grandchildren, and Bancroft is keeping watch of the gamekeeper in the distance. But, returning resolutely to the petit verre, I am willing to concede that all after fourscore is the bain de pieds,—the slopping over, so to speak, of the full measure of life. ”

“ A very old lady who has kept something, it may be a great deal, of her youthful feelings, who is daintily cared for, who is grateful for the attentions bestowed upon her, and enters into the spirit of the young lives that surround her, is as precious to those who love her as a gem in an antique setting, the fashion of which has long gone by, but which leaves the jewel the color and brightness which are its inalienable qualities. ”