Oliver Wendell Holmes Sr.

Oliver Wendell Holmes Sr.

Summary

Portrait of Oliver Wendell Holmes Sr. Oliver Wendell Holmes Sr. Over the Teacups (1891)

When it suddenly flashes into the consciousness of a writer who had been long before the public, “Why, I have said all that once or oftener in my books or essays, and here it is again; the same old thought, the same old image, the same old story!” it irritates him, and is likely to stir up the monosyllables of his unsanctified vocabulary. He sees in imagination a thousand readers, smiling or yawning as they say to themselves, “We have had all that before,” and turn to another writer's performance for something not quite so stale and superfluous.
Source: Gutenberg

Portrait of Oliver Wendell Holmes Sr. Oliver Wendell Holmes Sr. Over the Teacups (1891)

Those who come within its irresistible influence are drawn so close that it seems as if they must become one with her sooner or later. But within this ring is another,—an atmospheric girdle, one of repulsion, which love, no matter how enterprising, no matter how prevailing or how insinuating, has never passed, and, if we judge of what is to be by what has been, never will. Perhaps Nature loved Number Five so well that she grudged her to any mortal man, and gave her this inner girdle of repulsion to guard her from all who would know her too nearly and love her too well.
Source: Gutenberg

Portrait of Oliver Wendell Holmes Sr. Oliver Wendell Holmes Sr. Over the Teacups (1891)

But rhymes are iron fetters; it is dragging a chain and ball to march under their incumbrance; it is a clog-dance you are figuring in, when you execute your metrical pas seul. Consider under what a disadvantage your thinking powers are laboring when you are handicapped by the inexorable demands of our scanty English rhyming vocabulary! You want to say something about the heavenly bodies, and you have a beautiful line ending with the word stars. Were you writing in prose, your imagination, your fancy, your rhetoric, your musical ear for the harmonies of language, would all have full play.
Source: Gutenberg

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