Edwin Paxton Hood

Edwin Paxton Hood

Summary

Portrait of Edwin Paxton Hood Edwin Paxton Hood Isaac Watts; his life and writings… (1875)

It is ungracious work to bring into the rivalry of comparison or contrast two singers who have so sacredly served the Church. Yet we will dare to say it here, in the hymns of Watts there is that peculiar accent, that note of pain, that majesty and melody of the deep minor chord—that sounding of a deeper experience—that ineffable something which testifies to a capacity of agony, as well as to the assurance of ecstasy which is the true poet’s prerogative and power.
Source: Gutenberg

Portrait of Edwin Paxton Hood Edwin Paxton Hood Isaac Watts; his life and writings… (1875)

He was a student, a real and a hard student, and the speculations of his intellect whenever he betook himself to verse, presented themselves to his mind suffused in the glowing but ineffable lights of eternity; he seemed to be fond of revolving eternal truths. We hope not to be misunderstood if we speak of him as a mystic. Although in his prose writings so little of the mystic appears, in his hymns he is perpetually moving amidst the adumbrations of uncreated mind. What an illustration of this is in that extraordinary hymn,
Lord we are blind, we mortals blind.
Source: Gutenberg

Portrait of Edwin Paxton Hood Edwin Paxton Hood Isaac Watts; his life and writings… (1875)

THE TRINITY.
“The Father is so intimately near the Son and Spirit, that no finite or created natures or unions can give a just resemblance of it. We talk of the union of the sun and his beams, of a tree and its branches: but these are but poor images and faint shadows of this mystery, though they are some of the best that I know. The union of the soul and the body is, in my esteem, still farther from the point, because their natures are so widely different. In vain we search through all the creation to find a complete similitude of the Creator.
Source: Gutenberg

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