Percival Lowell

Percival Lowell

Summary

Portrait of Percival Lowell Percival Lowell The Soul of the Far East

Indeed, to a Far Oriental, so fundamental a part of himself is his love of Nature that before we view its mirrored image it will be well to look the emotion itself in the face. The Far Oriental lives in a long day-dream of beauty. He muses rather than reasons, and all musing, so the word itself confesses, springs from the inspiration of a Muse. But this Muse appears not to him, as to the Greeks, after the fashion of a woman, nor even more prosaically after the likeness of a man. Unnatural though it seem to us, his inspiration seeks no human symbol. His Muse is not kin to mankind.
Source: Gutenberg

Portrait of Percival Lowell Percival Lowell The Soul of the Far East

Neither heart nor head is truly the man, for he is conscious of something that stands behind both. Behind desire, behind even the will, lies the soul, the same for all men, one with the soul of the universe. When he has once realized this eternal truth, the man has entered Nirvana. For Nirvana is not an absorption of the individual soul into the soul of all things, since the one has always been a part of the other. Still less is it utter annihilation. It is simply the recognition of the eternal oneness of the two, back through an everlasting past on through an everlasting future.
Source: Gutenberg

Portrait of Percival Lowell Percival Lowell The Soul of the Far East

From the contemplation of such works of art as we call finished, one is apt, after he has once appreciated Far Eastern taste, to rise with an unpleasant feeling of satiety, as if he has eaten too much at the feast.
Their paintings, by comparison, we call sketches. Is not our would-be slight unwittingly the reverse? Is not a sketch, after all, fuller of meaning, to one who knows how to read it, than a finished affair, which is very apt to end with itself, barren of fruit? Does not one's own imagination elude one's power to portray it?
Source: Gutenberg

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