Ralph Waldo Emerson

Ralph Waldo Emerson

Summary

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson The Transcendentalist (1842)

They say to themselves, It is better to be alone than in bad company. And it is really a wish to be met, — the wish to find society for their hope and religion, — which prompts them to shun what is called society. They feel that they are never so fit for friendship, as when they have quitted mankind, and taken themselves to friend. A picture, a book, a favorite spot in the hills or the woods, which they can people with the fair and worthy creation of the fancy, can give them often forms so vivid, that these for the time shall seem real, and society the illusion.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson The Transcendentalist (1842)

The materialist, secure in the certainty of sensation, mocks at fine-spun theories, at star-gazers and dreamers, and believes that his life is solid, that he at least takes nothing for granted, but knows where he stands, and what he does. Yet how easy it is to show him, that he also is a phantom walking and working amid phantoms, and that he need only ask a question or two beyond his daily questions, to find his solid universe growing dim and impalpable before his sense.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson The Transcendentalist (1842)

Our American literature and spiritual history are, we confess, in the optative mood; but whoso knows these seething brains, these admirable radicals, these unsocial worshippers, these talkers who talk the sun and moon away, will believe that this heresy cannot pass away without leaving its mark.
They are lonely; the spirit of their writing and conversation is lonely; they repel influences; they shun general society; they incline to shut themselves in their chamber in the house, to live in the country rather than in the town, and to find their tasks and amusements in solitude.
Source: Wikisource

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