Vernon Lee

Vernon Lee

Proteus (1925)

Summary

Portrait of Vernon Lee Vernon Lee Proteus (1925)

Art and whatever the poor word Art may stand for—is the man-made sanctuary of the legitimate, the innocent, the immaculately decent, because it is closed to the shifting needs, the partial truths, above all, the mine and thine, which trouble real life. This, in its way, is also a realm of otherness, inasmuch as it transcends the self with its here and its now. Yet an otherwise not merely recognized by Intelligence, but made by the heart’s desire out of the heart’s own substance and in desire’s own shape
Source: Gutenberg

Portrait of Vernon Lee Vernon Lee Proteus (1925)

And one hopes there may be other kinds of yet unforeseen novelties coming to Intelligence’s assistance in the Future. Yet, the chief obstacles once removed, my hope is chiefly in what one might call Intelligence’s own natural proliferation. One intelligent mode of thought inevitably leads to another, and puts out of action an unintelligent one. Every intelligent book adds, let us hope, to the intelligence of at least one reader; so that we could almost do without the tremendous launchings-forth of the great challengers, Ruskin, Tolstoy, Ibsen, Nietzsche
Source: Gutenberg

Portrait of Vernon Lee Vernon Lee Proteus (1925)

From the misapplications of our Science, the exaggerations and lunacies of our Genius, and the havoc wrought by our higher instincts, we therefore need to be saved, not by Reason, which is always too long in getting under weigh, but by Intelligence, active, alacritous and ubiquitous, afraid neither of being laughed at nor of laughing at others.... But even as I stammer out this old-fashioned demand for Salvation, the name of Proteus sounds suddenly in the ear of my spirit.
Source: Gutenberg

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